Generally state statutes of limitation stop running once someone leaves the state, even for legitimate reasons, so it is possible that something long ago in (for example) California is prosecutable just because he's only been there occasionally and for short times since it occurred. But all that is theoretical unless…

Fassbender had some good scenes with comic overtones in Soderbergh's Haywire, which I will recommend to anyone who might have missed it.

Brosnan is really good in character roles. His little bit in Mars Attacks was one of the best things in the movie.

I would keep SotL, but agree that RD, H, and HR are not worth the petroleum products they are printed on. The TV show is remarkably good although it takes some getting used to.

By Hannibal co-producer I take it we mean the series not the film, notwithstanding that I would be fine with retconning that film out of existence.

There's prejudicial and then there's unfairly prejudicial. It's prejudicial because on its face it would appear to be a confession, but it can be excluded only if it's unfairly prejudicial — for example, because there is good reason to think it should not be taken seriously.

"Fierce debates have broken out in the legal community about the admissibility of Durst’s hot-mic moment …"

MAIL ROBOT IS DEAD … INSIDE

I think that was supposed to be something. I assumed that Stan did not touch it because that would have given away that he was on to Z's ruse. (If there was nothing up there as R.H. suggests, then the scene wasn't very well shot.)

It's one thing to slough off criticisms of a film's historical presentation when it's a question of balance or compression of the sequence events: the fact is that a film can't show everything, and those choices have to be made. It's another thing if a film makes a deliberate choice to highlight something and…

To an alarming extent, we already do.

As much as I love ACW that will never, ever happen.

She can hit notes well enough but based on the soundtrack album all of the comedy in the role is squashed.

Wonderful performances in perhaps the worst film of a theatrical production I have ever seen. Production values of 1970s porn.

It's strange — the jokes in the Love Guru are objectively not stupider than the jokes in Austin Powers. That kind of comedy either lifts like a balloon, in which case you find the silliness charming, or just lies there like a dead animal.

"[T]he band’s sound … simply wouldn’t hold together without Cindy’s older brother’s guitar. (For tragic proof of this, see the increasingly wackier material the band recorded after Ricky’s 1985 death.)"

I literally fell out of my seat laughing when I saw this film in the theater, which unfortunately should have predicted that it was doomed to commercial failure.

Stop telling lies!

The Werner von Braun life story would be a f'kin movie. Neil Armstrong's first wife left him because he was so boring, and that was after the moon landing.

Sigh. Alexander the Grape showed so much promise.