Booh!

Is this based on the Dark Universe-treatment Guillermo del Toro was talking about a year or so ago? I'd really hate to see that pitch wasted on a quickly thrown together direct-to-DVD feature.

What's wrong with "Drunk Girls"? Am I missing some unfortunate implications in the lyrics or something?

Both TLH and Hush are IMO highly enjoyable rides with varying degrees of non-sensical, quickly slapped together endings. Loeb would probably be a pretty fantastic superhero writer if he just had a bit more inclination to edit his own work.

But didn't he have parts of his old crew with him on the new planet? No reason for them to stop speaking English to each other.

I can't say I agree, but I would probably have loved the story to bits if I did!

At present there are 31 writers working on DC's superhero line, + a handful more on their outliers (limited series, the Hanna Barbera-stuff, Vertigo).

Well, there you go.

Don't you just love it when cool people turn out to have been on the right side of history?

I guess it could be somewhat rationally explained by people wanting to have an air of exclusivity around their naked bodies, keeping nakedness and (in the long run) sex an exciting treat rather than a mundane occurence. Maybe.

…and with Fury Road owning 2015, Raiders looks like a shoe-in for '81. Unless, as mentioned elsewhere in the comments, Road Warrior's aestethic influence pushes it onto first place.

The Trip or GTFO. More elaborate response possibly to follow.

Hey! I know I might not be the greatest guy around, but "demon" seems a bit harsh, no?

Huh.

Wait a minute, did Valentine change her name or are there two Genevieve who review things on the internet?

I didn't know i could summon helpers for that fight, but I play in offline mode and haven't really explored the summoning mechanics thus far. I did get an NPC hunter to help me against Vicar Amelia (which made that fight an absolute cakewalk), but that came from an environmental prompt rather than me using something…

I FINALLY killed those three goddamn asshole Shadows of Yarnham in Bloodborne. Desperately wailing on the last one until it finally bit the dust felt almost worryingly good, and I'm now on course to finish that game before I create a new character in DA: Inquisition and start that game from scratch.

Weirdly, I remember that the game mechanic where Manny's head automatically turns towards interactive objects got a lot of hype back in '98.

Telltale's GoT starts strong, lulls in the middle and explodes (in a positive way) in it's last episode. Some of the usual Telltale problems are there for sure, and one or two storylines could have been tightened up, but TT's usual strengths easily overweighs all that and marries beautifully with the nasty, tense GoT…

A level-headed conversation with your mother about the outdatedness of her apparent view of marriage as an essential part of a human being's life?