alannaofdoom--disqus
alannaofdoom
alannaofdoom--disqus

A+++ would greenlight

Well, financially both she and now her father are at the end of their respective ropes. And the despair that we saw from her in earlier episodes has changed into a willingness to set aside any principles in order to protect herself and/or take down those who have betrayed her. I'm not quite sure what you mean by

OK, yes, the literal crossroads shot at the end was painfully obvious, but I did like that one path was lit and one was dark. Break bad, Angela! I would seriously enjoy if she just went full villain. (Also A+++ for that ice cold pause and "I did" when Ollie asked if she'd thought about what her actions would do to

Yes, and yet, I thought there was a weird sort of affection between them when Tyrell said, "Not everyone is as miserable as you." While they may not love each other, they're definitely allies.

While I see how working on "Everlasting" could make one cynical about
true love, I think at the same time it would also require (or cause) most people to buy in to the concept - I was going to say "buy in wholeheartedly" but really I mean "wholeheartedly, but with half of your heart." But not half-heartedly. It's sort

I literally started crying when he said, "Don't ever do that." Like, ok I pretty much cry while watching any and every episode of Rectify, and I was already teary-eyed over this one, but that opened the floodgates. Not so much sadness or any particular emotion, but pure relief that Teddy wasn't 100% lost, that there

Oooh, thanks - I missed that!

I don't think it's confirmed in this episode but that was my assumption.

Also, said contact is the same guy who gave Ollie the CD. (And I realized while watching this episode that the CD has "I SPY I SPY I SPY" written on it, so bonus points for that!)

What I really admire about this show is that it lets its characters be *smart*. (Well, except for Shia, of course, but that's the point of her character.) Certainly the audience at least suspects off the bat that Mary's note wasn't written by Mary; then it's confirmed by the so-convenient lies about choosing to go off

Since the usual encomiums to the cast have all been covered - everyone is doing stellar work - I want to get it on the record that "How are you 'glorified'?" was the moment I fell in love with Beth.

Dear Hollywood, I know you like reboots, HERE IS A REBOOT WE ALREADY CAST IT FOR YOU AND EVERYTHING okay thanks in advance bye.

BRB just gotta go into the corner and scream forever

They've been using that sort of framing a lot and I am loving it. See also when Elliot was in the hospital, framed lying down with his head in the lower right corner of the screen, alone and dwarfed by the rest of the room.

I thought that in one of the other audition episodes, Nigel said to one of the "Team Street" auditioners that she wouldn't have to worry about dancing non-street styles? So maybe "all" styles means stage dancers will dance all the *stage* styles, and street dancers dance all the *street* styles, but there's no

Oh also: hats off to Breeda Wool for her work in this episode - her sheer elation after coming out was so powerful I thought I might actually start levitating. Someone sign her to a development deal, stat!

Cripes, this was a great episode! I was skeptical about where they were going with Faith's storyline for a few minutes - "secretly gay" seems like a trite plot twist on the face of it - but ultimately very impressed with how things developed. Particularly enjoyed the juxtaposition of Rachel's wavering moral compass

EGOTE - you also need to win an Espy.

Upvote 100% genuine

Literally yelled "ROSA!!!" at my screen and then had to rewind because I missed the next fifteen seconds while clapping and cheering wildly.