Yeah, the film seems to think this is an optimistic (and humanistic?) ending. And yet, it's like: what the fuck? This is only going to make things worse…
Yeah, the film seems to think this is an optimistic (and humanistic?) ending. And yet, it's like: what the fuck? This is only going to make things worse…
You just don't understand, SBT. Chappie is a "number one gangsta."
I was already planning on making this joke later tonight. Among many others. I'm shocked by how inept I found it to be, on every level.
Just saw Chappie. Here is my elegant review on it:
Oh, and who can forget this gem:
To keep this up, Rooney Mara's exit line in the opening scene of The Social Network is also pretty freakin' great. So delicate, so scathing.
*Coughs* Mary Hartman, Mary Hartman.
I think my biggest problem is (besides all that you mention here) that Fey seems to still not be able to write outside the mode of sketch comedy. It worked okay for 30 Rock (and in my opinion worked best for Mean Girls where high school is literally just a cast of caricatures), but the further she gets away from a…
Not here. You know how much that excites me.
You're a monster.
You son of a bitch.
I wouldn't say we're better than everybody else, but if you wanted to say it, I wouldn't stop you.
I love you.
I watched the pilot of Unbreakable Kimmy Schmidt. Might just be one of the worst comedy pilots/shows I've ever seen. Can't say I'll be continuing this anytime soon… or ever.
No, for sure. I know what you mean. I wouldn't talk to any one of these people either IRL.
lol, says the resident grandma of the board.
Watched American Crime: not bad, has potential.
Yeah, all three of us were pretty amazed he had these thoughts. But we tried to keep it civil.
Because I'm a liar, here's another plug of the new podcast where we talk WHIPLASH:
I am honored.