I must be the only person on the planet who thinks VIEWS is not just a really good album, but it's by far his best work.

This is like that Simpsons episode where Homer remakes Mel Gibson's remake of Mr Smith Goes To Washington with more explosions.

I would love to see a Venn Diagram overlap of people outraged by every one of his actions and the people who've never heard of his music before Blurred Lines. Cos I think it's pretty big.

It just hit me that Uptown Funk is the exact same song as Trinidad James' All Gold Everything.

With Jonah Hill and James Franco in the most serious roles, I can't help but find this trailer hilarious once they're in the same scene. Also True Story is the best name you can come up with? That's not a title, that's a working title.

I already said this before, but Boom Clap is amazing. Definitely the only good thing about The Fault in Our Stars.

Gross. I don't want to hear you talk about your groot. Like the majority of AV Club commenters.

The opening scene in Calvary where Brendan Gleeson is talking to his would-be murderer during confession. It's incredibly dark, but I find it incredibly funny to how Gleeson react to it.

I have to go ahead with Move That Dope by Future ft. Pusha T, Pharrell and Casino. I cannot count the many times I have played this song because it is so much fun. I don't like Future very much at all, but he's pretty tolerable. However the feature from Pusha T is pretty hilarious with his nose better/knows better…

I can't tell if it's a persona or it's the person being one. Already, many artists like Kanye or Taylor Swift has blurred the lines into what's a character and what's a person.

Don't forget All About That Bass. That song made me reconsider pop music that are overly throwback as a bad idea in the first place.

That LP was so dull. The production was so hazy and the lyrics are so grating. E.g. in Brooklyn Baby - Well, my boyfriend's in a band / He plays guitar while I sing Lou Reed / I've got feathers in my hair/I get down to Beat poetry.

MAGIC!'s Rude grew on me. I actually liked the first verse very much that it balances out the douchey aspects of it like the chorus or the line where the man goes 'she will go anywhere I go'. Or even the lazy guitar solo.

Mike D'angelo once tweeted that if you watch Lucy, Her and Under the Skin in that order, it makes for a horrifying triple feature.

You must be in lewronggeneration.

I say pop songs because that kind of music is the easiest target and is more heavy on snark bait. Or just about anything that is pretty popular. I don't give a shit if it's Nickelback or Michael Jackson, if you're so big to the point where your songs are in the top 5 in several countries, you're more prone for vitriol…

I get tongue in cheek. But most of these entries are pretty damn serious. And also humorless. Like they hate the song with a passion.

Tell that to every producer who does chopped and screwed. (I'm looking at you Clams Casino).

As someone who's incredibly skeptical and negative about everything, this feature doesn't work for me. Because to me, hating something so trivial is not very productive.

Am I the only reader who is baffled by the existence of HateSong? I might as well wish that the opposite feature LoveSong would take place, where people talk about shitty pop songs they enjoy.