Maybe the big orange one?
Maybe the big orange one?
The fruit is hanging so low in this case it's practically started growing another tree.
And what the hell kind of name is Tomi anyway?
Dude, she torched Neil.
I think it takes the right director and screenplay for Jack Black to be likable on screen - School of Rock is the best example. (I'm also an unabashed Saving Silverman fan.)
It's definitely a movie worth watching. I think you made the wrong choice.
This is a really great point. I have a hard time understanding the Jack Black hate, and I owe a lot of that to his performance in this movie. He's so delightfully annoying.
Well yes, but he seems to think that he's writing a 30's screwball comedy that just happens to be set in the White House or a cable sports/news network, or at least that's what he says.
I'm a fan of Sorkin, and I think he tends to be kind of a well-meaning idiot a lot of the time. In his brain he wants to do the right thing, but there's a disconnect. That said, I do think he's improved a lot in the last few years in terms of relating to the audience. He's done a few episodes of The West Wing Weekly,…
Also it's pretty clear he got bored writing it after the first few.
That's a fair question. I'm not totally sure other than the fact that I guess it means I'm a straight white man but doing my best to fight the stereotypes associated with that,
I'm a rock climber, and you better believe I flex a little bit anytime I'm climbing and I know my picture is being taken, thanks in large part to the helicopter scene.
This is peak television: https://vimeo.com/42291704
The other problem here is that Huck got like 15 seconds of media love in 2008, and it created a monster.
Exactly. He's just like Cap only with a nice beard.
I'm a straight man (though I try to stay woke) and that scene in Civil War when Cap is preventing the helicopter from flying away with one impressive bicep makes me feel things.
I've really appreciated Cap's place in pop culture recently. He's pro-America without being xenophobic and pro-government. He's the hero we need right now.
No mention of the scene where Travolta (as Caster) kills his boss by punching him in the chest?
I'll forever be a Tomorrow Never Dies apologist. It's essentially Brosnan starring in a toned down Roger Moore Bond film. The car chase in the garage and the motorcycle chase are peak 90s action.
Murder at 1600 is a great forgotten action thriller.