Oh shit yeah Lysol. I saw the Melvins w/David Scott Stone in Chapel Hill about 10 years ago and their encore was the first half of Lysol, stretched out to about a half hour.

Nah, they used Green amps. Hank III owns the one Matt Pike used on Dopesmoker.

There should be a Gateways to Geekery just for Napalm Death electronica side projects. Pretty much everyone that was in the 80s lineup went on to several projects in the 90s. Scorn, Final, Ice, God,Techno Animal, the Subsonic series, and that's barely scratching the surface.

Chavez: look up Curse of the Golden Vampire. Alec Empire + Justin Broadrick doing a mix of digital hardcore and crusty grind. That's the craziest thing ever.

Don't forget the soundtrack to the first Mortal Kombat movie. Come to think of it Halcyon and On and On is probably on at least 72% of all movie soundtracks from 1994-1999.

I read your second sentence as a line of clothes made specifically for ugly children at Target.

Nah evangelical kids, and I guess mormons where you lived, flocked to pop-punk and 3rd wave ska big time in the early-mid 90s. It was the first wave of goofball churches trying to prove they were "normal people" like the rest of us secular heathens. Nowadays they still jock metalcore for some reason.

Can't be any worse than Vh-1's made for tv biopic starring Avon Barksdale as Hendrix.

Technically it's not a hologram, it's a volumetric projection. A hologram requires the physical object being photographed.

I enjoyed the subtext that the Beatles' popularity stemmed from essentially writing advertising jingles.

That was 4. 5 was the one where Steve Guttenberg skipped out and Rene Auberjonois was the bad guy.

That'll probably happen before his inevitable slide into obscurity.

Roger knocking back the Stoli like it was a typical dinner with a client while tripping would've been more hazardous to his health.

Oh god that sportcoat dinner was the schweeniest of schweeny things. No wonder Ken writes to keep from murdering himself. Pete really is lost without a lifeline out in the wilds of suburbia. The first part of that scene crowded around the radio was the stuff of nightmares.

oh rose mcgowan

the stradivarius of toilets

RIP Mags Bennett

It's got its moments but the whole let's play this riff eighty bajillion times to pad out the song thing ruins it.

Their live shows in late 86 after Cliff died and they finished the rest of their tour dates after hiring Jason Newstead. Basically the entire grieving process happened in concert and they played everything about 20-30bpm faster than on record:
http://www.youtube.com/watc…

Flemming Rasmussen who produced most of Metallica's 80s records mentioned in an interview years back that they recorded drum tracks about a minute at a time then edited the takes together because that's as long as Lars could play before getting tired.