Didn't know, my sincere apologies. I'll redact it for the sake of others as well.

I've very much appreciated that Samaritan's stewardship has actually been a net gain so far for humanity, and that Greer, despite all his zealotry, always makes pretty sound, discomfiting points for life under the Thumb.

Loved this so much. I'm one of the people who really liked the pilot, enough to think, "Yeah, there's some real promise here, I think I'll keep watching this", and that Fusco ends here grappling with being a better man and possibly sparing this dude is a great illustration of his growth. Of course, Lionel now has to…

The voice code is Harold delaying this huge moral choice - a choice between the flawed decisions of humanity versus the Manichean practicality of an ASI's bootheel - as long as possible. It also may be a bit of a test, to see if The Machine's own decision making (and knowledge of humanity, namely Finch himself) and…

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Any Root without that insane mane ain't the Root we know.

I feel like I've been spoiled. Awesome.

Perhaps a merge is the only possible victory.

I have to say it, even if it gets drowned out - Miss Ferguson, your review was excellent, full of insight, affection, and due criticism. I remember really liking your guest review, as well. It's too bad Alexa couldn't take us to the end, but a reviewer of your quality is a fine companion to this community's last…

Why he would sacrifice himself made perfect sense.
How he sacrificed himself didn't.

"As funny as Fusco" is I think what you're searching for.

It's also not so much a secret that the Emmys are pure irrelevant garbage, almost completely without merit, and in no way a reflection of the best of "Peak TV". I care much more about PoI nabbing a Hugo nomination than that Emmy bullshit.

It should be noted that Shoot "hooking up" doesn't necessarily mean sex. It could be some hot steam-iron-and-ziptie action.

I always thought Root would die very specifically to protect, or teach, or motivate her God at a critical juncture in the Machine's development. I'm still a bit in shock that she didn't.

The most gut-wrenching part, perhaps, of "Ozymandias" is that a man must spew out words of hate that come directly from great love, and that it annihilates him to do so. The end of "The Day the World Went Away" shows a man who's held on to compassion and humanity throughout the worst that both man and machine can…

The extinction burst is a sudden upsurge in the unwanted behavior that one is conditioning against. Say you've quit smoking: after a week without a cigarette and the initial cravings having subsided, all of a sudden they return with great strength - but if you can hold out through the burst, the cravings will return…

Just thirty, forty seconds of a big and little spoon. That's all I ever wanted - no "last night was great" kinda talk, just physical closeness as an expression of the intimacy these characters have never been able to share with anyone.

*sigh*….Now that's my idea of romance.

I think it's "So?"

And now, Shaw's constant is gone. What will she live for, what anchor does she have in the world?