Another problem that misleads people is the pan-Africanism, which is very similar to the pan-Indianism you can see lumping together all the native cultures of the Americas. Africa is huge... the tribal politics among the chieftains of the Zulu in the south had almost nothing in common with the intense political…

The original wasn’t as recognizably a hearse because it was an ambulance.

I don’t think Steam has “won” so much as just gone uncontested for so long. It has its own problems as a content delivery platform, and I think most of those are from complacency. If GOG keeps them on their toes, everyone wins.

OR... what many people don’t realize, cars in car commercials are often a mix of CGI and real scenes fooling everyone.

Now, make the combat as good as in Dark Souls and we have something interesting.

Pff, to a Trackmania veteran this looks like a child’s play.

It seems to me like the site owners made an effort to create something above and beyond mere “cyber squatting,” but it does bother me that some of this effort seems to have been made to make them look like the official Oculus Rift team. That’s a little shady.

Re-releasing a game with updated graphics can be ice but they always seem to change the look and feel of a game.

The part where she uses 100% of her brain to completely dominate the chocolate factory conveyor belt is BADASS.

Cheap or expensive it’s a waste. Götze is an enabler.

Looks like someone (you) skipped one of the most important rules of firearm safety: Never shoot unless you know what’s behind your target. If you fire into the air, those bullets are going to come down somewhere and you don’t have the first clue where. Seriously, if you ever shoot into the air you’re basically playing…

That ending.

You know what?

I don’t mind that kind of realism at all.

It’s awful. It tries to look like the old ones- but it feels NOTHING like the old ones.

This kinda makes me sad.
I feel Mirrors Edge is such a unique game, to have get it “Ubisofted” into an open world game would actually take away from what makes it so special.

My theory is that TOS and TNG were always driven by the conflict between Roddenberry and the writers. I never really felt that Roddenberry fully got what SF was, and used the shows as more of a vehicle for allegory and utopian themes. On the other hand, many of the writers for the shows did understand SF tropes — or…

We’re getting used to being insulted, aren’t we?

Hold on, I need to contact my superior officer to get permission to be insulted.

That’s person-shaped?

That’s one hell of a leap.

I never said I enjoyed killing anyone; I said the fact that the consequences of combat applied not only to my enemies, but to my character and his allies, felt realistic.

But way to stand that Straw Man up proudly, and without the first shred of self-awareness. Good work.

Come on. Come on!