The odd thing was Always Sunny in Philidelphia had a Bakula ‘Leap’ cameo. It was also a musical episode which meant he sang a bit.

To be fair, he traded up.

I kinda felt the same when it came to Everybody Loves Raymond.

Oh I’m definitely convinced they got dropped because of how they handled S8, but I’m think it’s less the reception vs them making it apparent that they were willing to phone in a major project’s final season to instead focus on their future pitches.

To be fair, there are also legitimate supernatural issues with Gotham that prevent Bruce Wayne from going the pure philanthropy route and many of them might still be canon, I haven’t kept up. Long story short, Gotham was designed to be the worst and various writers have layered reasons why that is. It’s... complicated…

I think with them in particular, it wasn’t just that S8 flopped. It was that S8 flopped and they were reportedly given the option to have more episodes and time to improve it and they didn’t take it. I think the talk around that time was that they were supposedly focused on pitching something to Netflix that I think…

If I was a writer and had to deal with that, I probably would’ve gone with something along the lines of the blue ghosts being ghosts artificially empowered by Rowan’s devices, who lacked the ‘oomph’ to manifest without it and could easily be dissipated when the energy was disrupted.

Honestly, I found the problem with the 2016 movie to be that it was written and directed the same way other McCarthy SNL~adjecent comedies were. It was an extended SNL skit that didn’t develop its villain, and only focused on McCarthy and Wiig’s characters and their drama/friendship. Even worse, it was a reboot that…

It was a fanfic of Scorsese’s works given a DC paintjob, starring an actor who the role might not have had to ‘act’ too much with a guest role by one of Scorsese’s regulars who also happened to be in the films this one references.

I cite the precedent set by Zack Snyder in Batman v. Superman in saying that you no longer need both sides to establish their newer incarnations first before crossing them over.

I’m of the opinion that both Avatar movies require either a theatrical viewing or a home theater setup that costs as much as renting out every room in a chain theater for at least 2 days of private showings at 3d Imax price + food.

Now we just need to get Burn Gorman in a sequel to 2020's Psycho Goreman.

I’m not sure how the actual quality of the films fits into this. The guide to follow is:

Is it wrong that I want a fourth film that is Beetlejuice vs Candyman. Complete with a surprise interrupt by Bloody Mary in the final act?

Someone was watching The Apprentice reruns while summoning Gozer and we never noticed.

I appreciate Prometheus a lot more than Covenant.

Why not both?

Because you’re putting more thought into it than comic writers did. They work within a current storyline and have a low chance of putting consideration into covering every historical event.

Sole ‘known’ contribution. Over the years they’ve added Wakanda doing more things in the background. Wakanda kept an eye out for external threats and intervened via espionage when necessary. Captain America also didn’t officially report on everyone he met so he’s run into multiple long-lived heroes/villains during his…

I’m pretty sure the original ‘plan’ was for it to be a separate game. But that was back when OW2 was going to be the PVE side of things and new modes.