Ruhemaru
Ruhemaru
Ruhemaru

Taking an entire series of ‘major stories’ and distilling them down to a bunch of cutscenes that he then stitched together’ is exactly what he did with Batman v Superman.

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Family Guy explains the creation process behind this film

That feeling when you think even the most basic of AI could’ve done better.

To be fair ‘padded as hell and doesn’t go anywhere’ is apparently Snyder’s thing. It leads to too much being cut during the editing process which leads to his films being improved in Directors Cuts.

My problem with it is that even if it was building up to an evil Superman, it wasn’t doing it in a way that actually made sense. The setting was such that I honestly couldn’t care if anyone died since Wonder Woman and Aquaman were the only people who had any actual enthusiasm as characters. Plus... WB gives you the

Depends on where you got your reviews.

Deepfake replace the Humans in the Avatar films with 40K Imperium.

Honestly, I don’t even see it as a different viewpoint on the character. It seemed like Snyder legitimately didn’t know how to portray a heroic character. MoS spent most of its runtime suppressing heroism using nonsense commentary about societal symbolism poorly copied from Nolan’s Dark Knight Trilogy.Pa Kent and News

I kinda feel like the theatrical release and the Whedon reshoots gave us a brief glimpse of the charismatic Superman Cavill could’ve been if Snyder wasn’t treating him the same way he treated Dr. Manhattan.

Even worse is people who have the strange belief that the Snyder Cut is what we would’ve gotten theatrically if he hadn’t had that tragedy that made him leave the film.

The weird thing is that it might’ve been a flop financially, but it was honestly one of the best films in terms of general audience reception. Birds of Prey was pretty high up there too in terms of reception despite also being considered a flop (and being released right as Covid shutdowns started)

They could’ve also gone all in on the fighting off dinosaurs thing. I mean, we could’ve had a film where the lead purposely made the choice to kill all the dinosaurs out of spite or some crazy sci-fi scenario where things on Earth evolve a lot faster than things on other worlds.

Shazam 2 should’ve honestly been the introduction to Black Adam, with the Wizard having sealed him somewhere far from his kingdom. Even if his freedom was an accident that Helen Mirren’s character couldn’t account for, it would’ve at least provided a better focus than the... shenanigans we got. The Black Adam movie

65 definitely didn’t deliver the premise it was marketed as having. They made you go in expecting future guns, dinosaur slaughter, and cat and mouse games with a T-rex equivalent. Instead we basically got an escort quest, language issues, sick kid drama, “it’s in the past despite the guns being futuristic!”, and a

The thing with the Marvels is that I can’t actually say it was bad.

Oh I definitely agree on Box Office vs Quality. We’re at a point now where it is far more convenient to wait for streaming and external factors (Media coverage, both good and bad) have a large influence on whether people will take the time to go to the theater.

It felt like the only point of The Marvels was to put Ms. Marvel on the big screen.

To be fair, that description was kinda accurate given how Snyder seemed treat the early DCEU like it was in Watchmen’s setting.

To be honest...

I honestly wouldn’t mind if there is a point in the timeline where Link is the villain and Ganondorf the hero. You’d start as a Gerudo orphan and work your way out of the desert to find that the bearer of the Triforce of Courage has fallen under the control of a serious threat that is outside the normal reincarnation