NSlayton
NSlayton
NSlayton

Came here to say that. I do think War was not as good as Dawn (which is one of the best blockbusters of the 21st century), but both rocked.

The original (brilliant, screwed by the channel) Penny Dreadful, or the 1930s spinoff?

Fantastic performance, but unfortunately I felt like the script this week oversold it and telegraphed it all. Kind of killed the momentum; unlike the mystery stuff which I want more of.

The depressing thing is The Modern Ocean was announced as being backed by a studio, with Carruth even saying it would help avoid budget/financing issues. And then Tom Holland said Carruth couldn’t find a studio to fund him. So whoever originally greenlit it seems to have killed our chances of getting this.

1) Aaron Rodgers is the GOAT. No question.

Does anyone read Morse code? It looks like Max is trying to blink a message.

Well, if hell freezes over (and I say this as someone hyped as hell for this film; Good Time is a masterpiece) I suppose I’ll try heroin or something.

The only thing better is when we get a Papa John story and the related posts are all the Drunk Papa John photo.

Boy Meets World and the first two seasons of Spin City though.

It very much had the feel of “guy who was trained but was injured years ago and hasn’t had to deal with this for obvious reasons,” which is, you know, Jack Ryan.

Fiennes’ Coriolanus was fantastic. As for Macbeth, there was a solid modern-day Australian adaptation in 2006. A bit gauche in style, and maybe a love it or hate it version, but it worked for me.

David Michod’s The Rover is one of the best films of the last few years, so I’m excited. Hell, even War Machine was great; it perfectly captured how twisted Michael Hastings’ book The Operators was (RIP to Hastings). I’ll definitely watch this.

I need this show. I need a full sweeping epic adventure drama from Ghibli.

I’m pretty sure that was confirmed from FOIA’d documents. The BBC’s Adam Curtis did a segment on that in his documentary HyperNormalisation.

People didn’t know it was Redford? What the hell?

Wasn’t this actually a scene in the 1990s Spider-man cartoon? The Chameleon copied a photo of Fury so he got the wrong eye?

I hate that I can only give this one like.

Oh yeah. And this wasn’t even aimed at me. I’m 28 and American. I saw the original and liked it, sure, but not when it came out and it certainly wasn’t quite capturing my life then. But Trainspotting 2? It’s melancholy and subtle hope and the “did I screw up so bad?” element hit hard. When Wolf Alice’s “Silk” comes on

Trainspotting 2 was the best film of 2018. I’m serious. I ended up crying at the end. Unnecessary, sure, but lively, never a rehash, and with heartbreaking performances.

American cheese? Really? That ultra processed garbage?