Just like with his opinions on the Rowling shit, I think it’s perfectly reasonable for an 80 year old working actor to not be up to date on scandals that are mostly discussed on entertainment news websites and Twitter.

You do you. All HBOs start off slow but damn, HotD ended up being amazing.

Look, I think we can all agree that if anyone gets to be an egomaniac jabroni (...sure, that’s a word), it’s The Rock. I mean, come on, he took over the name of the most common object on the planet. You know how cow milk is so prevalent that we just call it “milk”? How chicken eggs are so overwhelmingly popular that…

I get OP’s confusion. The article they link to from the first words of this article says that ‘wife guys’ are men who got famous for things their wives did (which tracks with the Wiki definition: https://en.wikipedia.org/wiki/Wife_guy) and then provides a bunch of examples that make them all seem like sexist leeches.…

Wait, I really liked Terminator Dark Fate. It was a suitable sequel to Judgement Day and returned the series to gnarly, hard R action violence that had been lacking. I blame the Dark Fate bombing on three straight dogshit sequels that poisoned the well before we finally got a good one.

Andor quickly became my favourite of any Star Wars movie or show because it does a few things so well:

Let Tony Gilroy or Gareth Edwards take over Rogue Squadron. Andor had shown how good a gritty, messy, clever Star Wars franchise can be.

“ Admiral Holdo’s invocation of the Force in The Last Jedi was rendered by Laura Dern as a nod to the character being in some way Force-sensitive herself, but explicitly not a Jedi.”

I felt it was a deliberate callback to the diametrical politics of George Lucas’s Star Wars. Everything in the original Star Wars was about opposites: good and evil, dark and light, the democratic Senate vs Palatine’s fascism. Tony Gilroy’s Star Wars is all about the grey areas in between. We’ve seen rebels having to…

There were still long security lines, metal detectors, and pat downs in 1987 so he would’ve still missed his flight.

So, a handful of writers sat out this episode and, as a result, it turned out to be the best of the season. If I were Lorne, I’d thank those writers for identifying themselves as the problem and give them their walking papers.

That’s the thing, though. There’s nothing “drastic” about it. He didn’t “drastically change when becoming an adult.” He didn’t look as he did in Titanic when he was 17 and then look as he does now when he was 18. Since filming Titanic, he has aged over 25 years. That’s gonna be more than a quarter of his entire…

Thanks for this extremely vague nonsense article. The headline is that she was “pushed to alter her face,” and all we get in the article is a nonspecific claim about “my weight, my look, the shape of my face, the shape of my eyebrows.”  What was she pushed to “alter” and to what extent?  Was it the “shape of her face”…

I can’t unsee something I don’t even see.

But she has a theatrical pout, apparently! It brought “vivid character” to Midsommar’s Dani and Little Women’s Amy especially, apparently! These definitely aren’t just semantically empty things an amateur writer would blurt out to fill digital column inches!

“Florence Pugh has one of the most recognizable faces in Hollywood—..”

I’ll give the guy credit: This is one of the stupidest things I’ve ever read.

Ok everyone, we’re not living up to necgray’s standard of comedy. We gotta try harder.

Lipnicki said that he started taking acting classes and “really studying it” after high school, and he started doing theater as a way to work with more actors and really get into acting. These days he’s back in the business, doing what he can when he can. He told /Film that he has a “great relationship” with his past…

When you’re using a well-established character like that it seems like you’d work out those licensing issues before you released (hell, before you made) your film.  But I guess this is a good way to drum up publicity and make yourself look like a downtrodden underdog.