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Mastiff
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That’s the thing, though. There’s nothing “drastic” about it. He didn’t “drastically change when becoming an adult.” He didn’t look as he did in Titanic when he was 17 and then look as he does now when he was 18. Since filming Titanic, he has aged over 25 years. That’s gonna be more than a quarter of his entire

Thanks for this extremely vague nonsense article. The headline is that she was “pushed to alter her face,” and all we get in the article is a nonspecific claim about “my weight, my look, the shape of my face, the shape of my eyebrows.”  What was she pushed to “alter” and to what extent?  Was it the “shape of her face”

I can’t unsee something I don’t even see.

But she has a theatrical pout, apparently! It brought “vivid character” to Midsommar’s Dani and Little Women’s Amy especially, apparently! These definitely aren’t just semantically empty things an amateur writer would blurt out to fill digital column inches!

“Florence Pugh has one of the most recognizable faces in Hollywood—..”

I’ll give the guy credit: This is one of the stupidest things I’ve ever read.

Ok everyone, we’re not living up to necgray’s standard of comedy. We gotta try harder.

Lipnicki said that he started taking acting classes and “really studying it” after high school, and he started doing theater as a way to work with more actors and really get into acting. These days he’s back in the business, doing what he can when he can. He told /Film that he has a “great relationship” with his past

When you’re using a well-established character like that it seems like you’d work out those licensing issues before you released (hell, before you made) your film.  But I guess this is a good way to drum up publicity and make yourself look like a downtrodden underdog.

Let’s see; she is:

Yeah, in another discussion I actually brought up that moment as an example of how to do this sort of gag right, because the focus is always and exclusively on the family bonding over their shared activity, with the screams being pretty arch, in the background and off screen. If we saw the carolers writhing in pain

Any time you see Johnathan Nolan’s name show up in the writing credits you know the episode will be 90 percent turgid, pseudo-intellectual babble that not only makes itself terrible but every other episode of the season before it retroactively worse.

If anything I thought he was too gentle. Gen Z is full of people just like the characters in this movie: self-obsessed bullies co-opting the language and buzzwords of social justice movements in order to wage merry war against whoever happens to piss them off. Yes, not all of them are like that, and yes, other

Fetishizing victimhood isn’t necessarily new but has definitely been taken to the next level in more recent years, and accusing people of deliberately trying to inflict psychological trauma (gaslighting etc.) has become so common it doesn’t even mean anything at this point. And yes it’s fair to say this is more

I would have loved if you hadn’t fired your last editor.

I think it’s funny that fictional assassins always have “cool” codenames like Banshee or Ghost or Iceman. I want to see assassins nicknamed Pickles or Kleenex or Word-A-Day Calendar.

“And what happened to Ezra Miller, grandpa?”

I’m sorry but the use of ‘they’, ‘them’ and ‘their’ while referring to Ezra Miller in an article where other parties are involved is getting frustratingly out of hand. Can’t you just say Ezra Miller, Ezra Miller’s, Miller or Miller’s?

So apparently Nathan was asked a question about Joss, and he answered it. Why is that confusing? 

Hollywood is what happens when a bunch of theater kids get lots of power and money. It’s no surprise it fully of catty bitches