if ryan seacrest, gary oldman, and kobe bryant can be saluted at the oscars, why do we have to keep this charade going???

the show suffered an almost unfathomable loss with the death of christopher evan welch, who really was the soul of the show. tj miller is incredibly funny and i would say the show cannot exist without him, but we have seen this very funny ensemble weather similar losses before.

i love speebs (what i call speelburgh) but this movie looks fucking dreadful, no?

why are you calling him dril? it says his name is wint.

i’m a pock-marked artist also.

halfsies like jorden peele deserve more oscars. full blacks? i’m not so sure.

making it an actual word misses the joke completely. no one actually says embiggen to mean “to make bigger”

oh great. bert is now a puerto rican. watch your purse, mary poppins.

why in the name of fucking christ did we force an honest-to-god american hero like al franken to RESIGN FROM THE SENATE over mere allegations that now seem likely to be FRAUDULENT, but we let ryan fucking seacrest keep his job??

can you come over to my house and try telling them smoking isn’t cool, since apparently you know best and everything.

Please, Atlanta, never do another Mad-TV-style episode of painfully unfunny parodies of TV commercials.

And Urkel

What exactly is a troll? I thought it was someone who says the opposite of what they believe in order to confuse people. Is there an actual definition? Lately it seems to be used to mean “people I may disagree with”

Millennials stripped the idea of white privileged of any meaning by applying it haphazardly to any situation. White privilege is a real phenomenon, characterized by white people gaining advantages entirely unwittingly.

the oscars continue to be meaningful for at least one important reason: they serve as a barometer for what was contemporarily lauded.

the oscars always have and always will shit on special effects movies in the big categories. T2 could never get a best picture nom in any era, even though it is one of the best films of the decade. the oscars don’t honor the “best” but rather a certain type of prestige, actor-y drama.

i really enjoy the french connection. great action sequences, and hackman’s vaguely bored, angry, disaffected anti-hero cop obviously paved the way for every 1980s cop movie.

I order that the Hamburglar be put to death

i’ve had to work hard everyday of my life and all i have to show for it is this briefcase and this haircut! but what does ted cruz have to show for his lifetime of sloth and ignorance? a dream house! two cars! a beautiful wife! a son who owns a factory... and LOBSTER FOR DINNER!

what was martin short doing in inherent vice?