I would imagine it's a paradise for having sex with other men, but then again, I sort of doubt it. Correct me if I'm wrong on this, but...

I've played all of those games, and literally none of them are simple pure-action shooters tied to a multiplayer component for the bulk of their longevity, which is a design ethos that Halo follows to the letter.

But I don't care about advertising. You seem to think that the developer's time and money and attention is more important than my own. That's not the case.

A lot of work goes into a lot of things. None of it matters if the consumers decide they don't care.

So a six-hour distraction that people are done with in the first three days is somehow more important and significant than the hundreds of hours they spend honing their skills against human opponents?

Eh. No.

HOLY SHIT, I am blown away by how much none of this matters

Did you SEE that fucking hallway fight in Inception or basically all of Looper?

There are a shitload of mod projects, dude.

Morrowind, speaking as someone whose played probably 300 hours of it, has a lot of flaws.

Eh, sometimes you get tired of the same dumb assholes who insist that art games and mobile games are 'irrelevant' because new players and experiences taking all the attention is somehow threatening.

Nah, fuck you too, invalidating all artistic aspiration in games with a huff of petulant whining is way worse than spelling a word wrong.

What Toy said. I also really like Cataclysm, but that's more open-ended.

It's funny. The easiest way to differentiate a real roguelike player from some ignorant reporter is that strangely-persistent hyphen,

This is not misogyny.

Another great example of bullshit Kotaku article titles.

'Cause that shit is hot, in a really strange and ineffable way.

It's Tennessee.

Just like Neon Genesis Evangelion is "gone"?