Based on your views about how you believe you can speak to your god, you sound more Lutheran to me than Catholic. Speaking through the church is a staple point of Catholicism, and one of the main restrictions that lead to the formation of the Lutheran Church in the first place. Lutherans believe that you can speak to…

I find things the pope says about as relevant to my life as things the president says. But I'm neither religious nor patriotic, so...

He said a while back it'd take two season to tell that whole story, so if it's somehow getting condensed into one season then him leaving makes sense.

I don't know, it's the timing that doesn't make sense to me. Like I mentioned to someone else who argued that same point, Mazzara planned for the prison/woodbury storyarch to take two seasons, he said it in an interview a while back. It doesn't make sense to me for a person to spend all of that time and effort…

The season 2 lull seemed to happen out of a lack of direction while Mazara found his footing as new showrunner. since this is happening in the middle of a damn storyarch, just about anything can happen, my guess is the narrative will get messy in an attempt to up the pacing. The new person will at least have a clear…

Well they're definitely done filming season 3, and I take from those quotes that he'll be around to finish editing it. My point is that he said from the beginning of season 3 that the Governor story will span two seasons. It seems unnatural to put all his time and effort into developing this two season storyarch, then…

"I have told the stories I wanted to tell"

You think plot holes and unmotivated character decisions are easy to come up with?? You have to work hard to make a script that bad.

Here's a little backup to my claim, an interview with Jon Spaihts, the original script writer, talking about how the film compares to his final draft

After I left that reply I was curious so I looked it up, found an interview with Jon Spaihts, the original script writer.

How long do you imagine writing the script for a 2 hour blockbuster sci-fi movie set in an imaginary far off world with multiple complex characters and situations while linking it to an existing franchise and setting up a film that can support sequels should take?

"But much to the delight of all the fanboys, I don't see myself being involved in Prometheus-er."

I think my only problem with this rationale is where do you draw the line? Why wouldn't violent movies have the same effect? What about songs that advocate violence or speak of it flippantly? I understand that the difference is that in these games you're more or less "pretending" to be the person firing the gun or…

YES. I've seen him in too many sissy ass roles to take him seriously as Wolverine.

And after he just quit being a hit man, pieced himself back together in the belly of a shark, AND wrangled a bunch of snakes on a plane. the man is indestructible. Except back when the kids called him Mr. Glass...

I think it's a common problem in entertainment, not just Joss Whedon's work. It's such a white dominated industry that it's hard to get accurate representations of other cultures and races. You end up with stereotypes and token characters, or just no diversity whatsoever, because the people who direct it or write it…

honey comb big, yeah yeah yeah.

My favorite case of this was in Jurassic Park when the Lex girl is 'hacking' into their network.

agree to disagree to agree then. The internet is no place for compromise!

I'm gonna drop that shit like a bomb at my next cocktail party.