We really don’t need to call it “X.”
We really don’t need to call it “X.”
“[There’s] a big fight in Episode 6, but there’s also this incredibly vulnerable conversation between a broken Gravik and a really broken Fury, who we ultimately learn is G’iah. But when you’re watching it, you are watching two men say ‘I’m sorry,’ which is kind of groundbreaking in a way,” he contends in…
“Mixed reviews” is being very, very nice to this shitshow.
So he won’t read any reviews ?
“The Labour party has been useless/complicit for the two decades or so that I’ve followed them”
Yes, what GRRM is showing here is two things:
The UK Labour Party has quite famously been out of power for many many years. Maybe everyone should read a newspaper?
It kills me that I’ve been watching Venture Bros for 20 (!) years and most people have still never heard of it.
Lots of marine animals are attracted to plastic because they think it smells and tastes good. That has me thinking, is there something in the board (or its coating, etc.) that tastes good? That’s some dedicated munching!
The author probably thought that “dialect” was just another way of saying “language,” because he likely never took a decent composition or rhetoric class where he would have learned that thesaurus-talk is bad, lazy writing.
“Turn on the subtitles because Ryan Reynolds is bringing the consonant-heavy dialect to America”
Came here to say the same thing. Does the author think Welsh is some offshoot of English?
If anything, Welsh has extra vowels.
Welsh is also not particularly heavy on consonants.
Otters can’t read.
Otter 841: Yeah I guess an otter would be crazy to want to learn how to surf (single tear rolls down face)
They need some of these signs from Scotland:
the consonant-heavy dialect
No offense to the current artist of the Dragonlance covers, but I see them, and I instantly miss Larry Elmore.
If you’re going to include UK shows , the absence of The Fast Show (or its sort of predecessor The Harry Enfield show) is a bit weird seeing as rightly or wrongly stuff like Catherine Tate and Mitchell and Webb were influenced by it