DC needs a good Superman film to justify their obsession with Superman that isn’t matched by... anything. Literally nothing.
DC needs a good Superman film to justify their obsession with Superman that isn’t matched by... anything. Literally nothing.
Zaslav missed a female executive in their white dudebro replacement purge? How did that happen?
The game everyone made fun of because PMS moodswings were her superpower?
I’m going to go ahead and side with you on thinking the art design isn’t where the original was. The original looked almost claymation in its design, and the diorama would have been a nice way to go. This one is pretty, but it doesn’t convey the same sense of chunky verisimilitude the original did. Not bad, but not…
The new characters are my favorite characters at this point (except Che). Ironically, I always hated Carrie and found her self-absorption to be vomit-inducing, but this new version of her is actually the most likeable original character (other than Samantha who chose not to show up and can’t be ruined). Miranda went…
Swap Miranda and Carrie. Carrie’s neighbors are dicks and Carrie’s self-absorption and lack of dating might be connected to her DEAD HUSBAND (just throwing that out there).
There’s a reason the death penalty isn’t a deterrent for murder. If it’s a crime of passion, they’re not thinking. And if they’re a sociopath, they’re not exactly doing complicated calculus in their head.
About 1 in 100 people likely have antisocial personality disorder. One of the side-effects is higher risk-taking.
No one cares about Morbius in isolation from Spider-Man. But they could have MADE A GOOD MORBIUS MOVIE.
Kotaku: “Watch me be OP at necromancer!”
“Batgirl was unreleasable... there wasn’t even a single cameo of a CGI reanimated corpse!”
TFW you realize the combined box office of the last 6 DCEU movies was less than that of the two Zack Snyder directed...
You clicked on an article about hot droids.
Fun fact: Eric Harris and Dylan Klebold were wrongly assumed to be in the Trenchcoat Mafia because Trenchcoats were so popular that a clique at the school called the “Trenchcoat Mafia” was formed years before they started attending.
That George Clooney table flip by Gunn was baffling in the moment, but I get why they did it — to show they didn’t give a crap about anything that happened in the film. (Which is kind of a vibe the whole movie had outside of its central — excellent — dramatic arc.)
I still remember the dissonant voices saying The Flash would show Across the Spider-Verse how it was done.
Page —> Animatic —> Recording —> Animatic —> Edit —> Finisher —> Edit —> So on and so on.
I love the reactions to people discovering some of Garth Brooks’ progressive views, as if he didn’t try to give his Emmy away to a black prog rock artist back in the 90's out of shame.
Charles and his daddy are well-documented racists. That’s not a rumor, that’s on the record. And it’s still funny to me that someone can say, “The Royals think the Royals are horrible to the Royals but the Royals have decided to stay out of it, thankfully the Royals haven’t gotten involved in disputes with The Royals.”
Turning Red maybe. Luca was still during the height of covid.