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Bazzd

The trailer is not showing that. What it’s showing that is not in the game is the labeling of specific caves, animal roaring animations, and trees that bend to allow giant animals through. The rest of it I’ve experienced at this point (saying as someone who stopped playing for two years and came back to a completely

Years of PS Plus and Xbox Game Pass licensing to start. But this studio didn’t get into it to get rich either way, so maybe they just pay their devs what they’re worth. Meanwhile there’s Bobby Kotick in the middle of decades of year-over-year massive profit increases industry-wide bemoaning the 100 million dollar cost

Peter Parker’s costume was originally black and red (like Miles’ and like No Way home). It looked blue because 4-color comics used blue as a highlight for black to show definition. Eventually the colorists just accepted this was blue.

Peter Parker’s the trans kid in this narrative. Bullied, hyper-protective stand-in father figure willing to go after his own daughter when he thinks she hurt him, trans allyship, repeatedly saying that Peter just needed someone to take care of him and Peter saying he wishes he could be someone different.

They even had to cut a trans character from the film because of the studio. Switch was supposed to be masc in the real world and femme in the Matrix.

If you’re going to compare this to real life, do you know a lot of NYC cops like Miles’ dad who openly cooperate with vigilantes?

Because what America should do is compare itself to France regarding anything and expect to look good.

Waititi didn’t write Ragnarok, so L&T is what happens when you change writers. (Also it’s weird how many alternate scenes imply a completely different movie... like one where Zeus gives Thor his lightning bolt as a favor and consoles him on mortal loss and love outside of Jane’s hospital room.)

Love and Thunder’s issue was that it didn’t have the stakes that Ragnarok did, so its use of humor wasn’t in balance with its capacity for pathos.

Are you trying to tell a punk the limits of his contradictions, especially regarding his capacity for self-expression?

Hobie’s an anarchist. Anyone more authoritarian than Bernie Sanders would get a “fuck it I’m out.” Hell, if Obama were giving him a gameplan, he’d get a “fuck it I’m out.” (Honestly, he would probably just listen to Bernie Sanders finish his speech then sneak out the back door with an eyeroll.)

ASTV uses a really complicated sound mix for the vocals and music, but several theaters are leaving the levels too low. The sound is amazing if you find the right one.

Thirty seconds after Hobie Brown entered the scene I thought, as an anarchist, at least one of those screenwriters is definitely an anarchist.

Zack Snyder also directed Guardians of Gahoole and Army of the Dead if you want some over-the-top color in your movies.

Star Wars is just a whole different Akira Kurosawa (The Hidden Fortress) but in space already.

If they could get the creativity and intelligence and maturity of the Spider-Verse movies and bring it to the MCU, then great. If not, then... fine, no problem, we have enough Miles Morales movies being wildly successful that we know that Miles Morales is a wildly successful mainstream character and can survive a

An Oscar-winning director of the two Spider-Verse movies also directed the coolest Mandalorian Episode from S3 so Disney’s already got him on payroll if needed.

The MCU has kind of crapped on what makes Spider-Man excellent (namely his working class concerns and trying to be an adult while juggling superheroing) by transforming Spider-Man into a wish fulfillment power fantasy kiddie adventure for three films.

You should also go watch Moon Girl and Devil Dinosaur if you still think Marvel’s TV cartoons are lame. (Especially that inspired roller rink fight sequence set to Childish Gambino’s “Sweatpants”.)

What’s funny is that Karen didn’t become a term for white women until the white guys who invented the term threw black people in front of it when called out and pretended we came up with it to avoid criticism.