I think it must be weird to meet with an agent and have him be like, “You look like a handsome asshole, so we’re going to put you up for a lot of handsome asshole roles.” Then you go to an audition for The Dark Knight Rises, and get cast because you have a look that immediately screams Upper Crust Douchebag I Want…

Some clown was whining earlier this week about it and posted a list of like 20 “criticisms” he had with the show and most if not all could have been said about the first season.

I feel like this was just recently announced to spite Pizzolatto, which, good.

Nic needs to take a good honest look at his True Detective output and STFU. He got lucky for season 1, faceplanted in his sophomore effort, and then cribbed his notes from season 1 for season 3. I certainly won’t be going out of my way to catch any of his future work.

I watched Season 1 for the first time right before Season 4, and found it dreadfully mysogynist, with an absurd, laughable premise more turgid and fantastic than that of Night Country. That said, McConaughey and Harrelson were divine, and they carried that whole mess on their shoulders and then some. There was plenty…

What a little bitch

a few minutes on the subreddit will confirm a LOT of it is misogyny and racism.  Whooole lot of piss babies bitching about DEI.

The best scene in Bourne Identity, for sure. His palpable sense of relief that it’s over is heartbreaking as he reaches for that one bit of human connection before signing off.

Just like there was in S1. The show is usually pretty good, but it’s not perfect and never has been. I just feel like I’ve seen a lot more shitting on this season that I didn’t see on S1, and I think a lot of what’s good and bad about this season is on par with the same from S1. So it does make me question why that…

I can’t help wondering if there is some misogyny in this and a lot of other criticisms of the season. Honestly, it may be my favorite season of the show. 

The people I know who are watching S4 don’t even know the creative team changed, they just know it got good again after 2 seasons they didn’t like. I tell them it’s a new creative team and they’re super surprised.

“The broad brushes and characters are the same in the US version, just slightly less pathetic, more competent, more self-aware, less hopeless.”

I actually did like the British The Office better, but that might be because it didn’t wear out its welcome.

He is an ex Python!

The I’ve turned into a grumpy old Bollocks category:

He got better . . .

It’s relevant a lot.

The United Nations of assholes, it seems.

In the words of Raylan Givens, if you run into an asshole in the morning, you ran into an asshole. You run into assholes all day, you’re the asshole.

Cleese appears to be an egotistical bigot, while Idle seems like a cranky bastard who apparently has issues with every other living member of the troupe.  Shocking that this apparently made for a tense working environment.