I'll take that as a "no". For either one, it doesn't matter.

Your first question implies you know what it is. The second confirms it, and makes you the troll you were suspected to be.

And I'm saying tone trolling people who are legitimately afraid is being an asshole.

Kneel on principle?

Have you actually studied any real war?

That's pretty much verbatim why he stopped Chappelle Show and went into seclusion. He heard a white camera operator (IIRC) laugh at a punchline, which was essentially an N-bomb, a bit too enthusiastically and had an epiphany that perhaps the consumers of his comedy didn't understand what he was trying to express.

You.
Hot take.
Your hot take.

…and Bradley Cooper. For some reason.

I'd say that's pretty much entirely backwards. It's much less OK to say "Yeah, sure, we'll handle this apparent plot hole later in a [mumble][mumble] fashion, eventually", than to say, as Nolan did, "No, seriously, we anticipated that question, and the answer is in Episode 8."

Both Fringe and Person of Interest had pretty satisfying conclusions, and they were both Abrams series, no?

Or Henry Ford and his mass-produced introduction of a ubiquitous and world-altering machine (the automobile).

This is what happens when I don't rewatch. :)

Absolutely nothing is wrong with it.

It felt to me like Ford has access such that he can essentially videoconference into a host's mind. After all, when the deep and dreamless slumber line is heard she's in the middle of the Muerte parade and when she comes back she's in the middle of the same parade.

No, it seems he's saying more that not everything that seems like a puzzle is a puzzle. Some things are intended to remain ambiguous.

The biggest problem with that idea is MIB's quest strongly indicates that the maze has some physicality. He is sent to places to find people and things that lead to the next clue; his interactions with Lawrence's daughter, Armistice, and Ford himself point in that direction. I found it interesting that Dolores had an…

I guess whine is better drunk with an audience than alone.

Or just awed on a purely platonic/functional level. You don't need to like dicks to be impressed by one.

Because drama depends only on apparent stakes; what is dramatic is the character reactions to the situation they believe themselves to be in. If Westworld is essentially a LARP, then the willing suspension of disbelief works for the newcomers as well as it would for a gamer. Besides, there are plenty of horrible…

I was under the impression that that was internal monologue with the Arnold voice.