Can we go back in time and put Howerton in the Hugh Dancy role on The Path? That character is literally a (relatively)dramatically-grounded Dennis Reynolds.

I thought Memento had already been on there… and I hope Fringe comes back one day.

The Grilled Stuft Nacho was great. I guess they thought they were giving away too much food for too cheap?

MUSICAL GUEST DAWES

Think Logic, the rapper.

'90s/early '00s SNL always seems like a completely different, better show compared to now, until you realize the reruns on VH1 are edited to remove most of what were probably terrible sketches, and the musical guest.

The Office's office always confused me. Sometimes Accounting is in the back corner of the room, other times it's behind that border behind Pam's desk. It would make sense for it to be that small, but TV camera trickery allows for that big empty stretch of walkspace outside Michael's office/the conference room, right…

Oh shit, Courage the Cowardly Dog?

Ad for this before a YT video: "what if I break your arm off… then beat you to death with it?"
Me: "I THOUGHT KROLL SHOW WAS OVER"

The Janitor is the worst character to the point where a scene in which an attempted plot backfires on him and a wolf attacks him is cathartic as all hell.

This was a show I loved in high school, but time went on and infinitely better comedies came around or revealed themselves. I think what has "ruined" it, or really what was always there, was tonal whiplash. The show wanted to pretend it had profundity among its broad humor and revisiting is nothing but cringe. The…

The King of Queens was the ultimate benchmark of quality, I feel. If a show is it at least that good, it's inoffensive and watchable. If it's even one iota worse, don't give it the time of day.

"You Can't Always Get What You Want" and House. Californication used it and it just felt wrong.

Late to this, but I'm guessing Piscatella pulled similar stunts in Men's Max to what that black lady CO did to Nicky. It's probably fucked up my mind went there, a possibility I might not have considered if they didn't occasionally toss out that he's gay. But then, I didn't quite understand what was the big deal about…

This Is The End doesn't really have jokes; its appeal is the rapport of the six actors; you feel like you're in the room. I understand, from a hoity-toity, academic viewpoint, why somebody would deem it a "mediocre film" even if it achieved its goal of inducing laughs.

Woah, I never said that. I was just pointing out how amusing I found it that Ellen didn't find Aziz amusing. She's trying so hard to not frown the entire time. Obviously, Aziz is aces.

I think the appealing thing was that it wasn't afraid to be weird. Its got the same sensibilities as the rest of the dreck, but garbage like Just Go With It or Anger Management are pretending to be legitimate movies with character arcs and emotional beats; those movies are meeting a quota of the cichés movies are…

A combination of that and coasting on Nacho Libre, I must assume.

Famus people(most importantly to Hess's career, Adam McKay and Will Ferrell) really liked Napoleon Dynamite for whatever reason, so Jared Hess can pull anything together, it seems.

The trailer for Don Verdean made it look like the worst piece of shit, so I guess going in with those expectations allowed me to really gel with it. It was just so silly.