Sonic Advance 3 and Sonic Rush are both terrific and sprawling, in my opinion. I wonder if these were ever ported over to later systems…

I marathoned it this weekend. The episode where they stay up all night writing Wolf Trials is an insane experiment in how annoying and awful you can push characters. The actress playing Sam was at least awful in a marginally funny way. Keegan-Michael Key is basically playing the Gillian Jacob's character from Mike…

There was a five-hour marathon of The Cosby Show on just the other day. I was baffled.

Finished it. So… What was going on in the psych ward while all this shit was going down?

Thank you!

This show's dumb as hell, but Hayes is a national treasure. Lame.

Get the fuck to work on Mystery Team 2.

Minus Chappelle Show, which is arguable, no to any of that. None of that shit did an episode where Steve Agee finds Brian Posehn's iPod and sees it only has one song; "Two Princes" by Spin Doctors. The Sarah Silverman Program did.

I can't believe there is not a peep about Bloodline. Or maybe I can, because I don't think Netflix told me either. It was crazy. I'm not sure I got all of it. It's probably the worst of the three, for one huge kind of spoilery reason.

Reminds me of this weird Whataburger ad that ran recently; a man recalls being lost at sea and the only thing keeping him going is the thought of Whataburger. It's framed as a sort of dramatic confessional and played completely straight. My brother and I looked at each other and recalled that one Simpsons episode.

Jennifer "six seasons and I'm outta here!" Morrison strikes again!

Becky should switch actors every scene.

A Fox News choice is too obvious; I find Lawrence O'Donnell to be pretty insufferable.

I disagree with the sentiments towards Oliver, but eventually you notice that every other joke on Last Week Tonight is a Family Guy cutaway gag being described by a British man as opposed to you actually watching it unfold in animation.

Finally, they'll stop suggesting I want to watch Scrubs.

If I had to rank what I've seen:

Director's Cut? Either way, holy fuck, I almost wish I hadn't seen it before. Pulp Fiction and Reservoir Dogs got put back in theaters for their 20th(Pulp's 18th) anniversaries, and that was how I first saw them. Magical.

The last time I was "excited" for one was The Longest Yard; I was 13. I don't think there was a breaking point; I just stopped caring. Everything after that, I either didn't see, caught it on TV by happenstance, or is Funny People, which doesn't really count as a Sandler movie and is great.

Maybe it's because I binged the first season in two days, but Season 2 felt so meandering. The first season finale, while shocking, was maybe not the best course of action as the Hugh Dancy character is left with zero credibility to be cared about, in my eyes. Plot points and characters drop in and out frequently…

Only a matter of time before The Office, Parks, and 30 Rock are ripped from Netflix and become SeeSo/whatever-the-fuck-this-is exclusives.