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    The only semi-recent example of a bloated comedy that at least made some practical use out of all that time was The Five-Year Engagement, which feels like eons ago. That was very good and this looks less so.

    This, but with Aziz Ansari and I continued to tweet and completely let the air out of that balloon.

    So much I did not get to but, for comedies:

    "Light-skinned black dudes be like this, but dark-skinned black dudes be like this!" I'm assuming.

    I binged the show a year ago; what a blast. Elba really holds it together. The show can get away with the craziest shit because of it, I think. Similar stunts get pulled on something like, say, Homeland, and I groan. Also, the direction and music really helps. Looking forward to getting to this, that eventual movie,

    It kind of feels like we are super-removed from the documents that started all this. This terrorist attack was going to happen regardless if those had come out, and I don't think the two stories have melded together very well. Quinn got caught up in all this because the plot needed some way to tie it all together. If

    I hadn't seen the movie, but even if I had, I feel this would've still rang a little hollow. I watched "Bart Gets and F" a week ago; really bad timing for "Barthood". The Terry/Sherry bit was funny, but kind of tone-deaf/raunchier than you'd expect from The Simpsons? Bad assessment of the same show that delivered

    I AM A COMPLETE DISGRACE TO MY AVATAR. I DID NOT KNOW NEON JOE HAD STARTED.

    #NODISRESPECTTOKANYE #ALLDISRESPECTTOGOODWILL

    Everybody hated the Regina Spektor song that played this year, but, counterpoint: This show sucks and that's a pretty good song. None of the other pieces of music clicked with me beyond that and the new theme song. There's "Where Is My Mind?" but that's been used a billion times in a billion other shows/movies, so I

    I stupidly did an IMDB search and, of course, it gave me a big list of famous people who hosted both, but one I know offhand is writer Steven Cragg, who even had his own recurring bits about his life on Mad, which I remember loving.

    Actually a lot of those people are still reliable supporting players in a lot of shows. And then you have the explosiveness of Key and Peele(who's name I don't see in that big list, the hell?). Peek into the writers' room, there's also Stella/State-alum and film director David Wain, and the internet's forever-favorite

    Yes.

    I'm cool with it on my PS3. I tried using it on an actual computer once, and ugh.

    I just ended my Prime for money reasons. It was a nice little thing for movies, and I guess HBO stuff if you don't already sub to HBO directly. And of course fast shipping.

    I've determined the only thing I like about this show is that when EP Peter Berg is credited in the opening, his name is on a football team, which I must assume is an unsubtle reference to the fact he directed the Friday Night Lights movie/produced the TV show.

    But that's not Cow and Chicken.

    This is funny considering, if I'm remembering it right, Paramount didn't want to make Anchorman 2 and demanded the actors take paycuts there, too.

    Care to link?

    Nah, he just verbally abuses his actors. Admittedly not as bad as what you suggest.