The bumper-style moments of Ax Gang choreography in "Kung Fu Hustle" are a kick as well.

Yep.  And that sweetness is the perfect counterpoint to Steve's moment of "poetry":  in "The Man with Two Brains":  "The Pointy Birds of Pointy-Pointy."

Turn in your badge.  It's "The French MISTAKE."

Hiya, E.Buzz.  I'm afraid I can only be in half-hearted agreement…because of this niggling thought:  I enjoyed the song (and even more so, the IDEA of the song) and I could tolerate Hoskins' utterly tone-deaf sing-talking.  But was his very-much-necessary accompanying slapstick REALLY funny enough to slay a weasel?  I…

I have to say I was moved by Will Ferrell as Harold Crick, finding his "heart's voice" as he sings a song and plays guitar for the woman he's falling in love with in (the well-constructed but ultimately too formal and rather middling) "Stranger Than Fiction."

Sorry if I'm late for this, but:  With the "History of Viscera" opening…allow me to serve up The Naked Lunch Special:

Hey…David?  Did…did you hear that?

The sequel's actually going to be shot in Mexico by Alphonso Cuaron.  It's titled:

Shou'n't-a thrown Mama from that train!

@avclub-501c54d131c3b93043a744af0c259c58:disqus  Hi again.  I forgot to say this earlier:  I don't think J. Knoxville IS wearing a leather pilot's cap.  It looks to me like a woolen woodsman's hat with ear-flaps —sorta "Fargo"-style.  (Proof, um, that he's tryin' to appeal to 'Muricans!)

Yep, and it looks awful.  However, I doubt it was edited by Kim or anyone at his current South Korean Studio; more likely it was put together by the American distributor/producer.  I've seen enough "vanity Trailers" (that is, Trailers pandering to an American star's purported audience) made from films made by foreign…

I, too, was originally snarky about "The Last Bullet to the Headstand" (which is how I referred to the Ah-nold vehicle before I could separate it in my noggin from Sly's latest kaboom-fest).  Then I learned that Schwarzenegger's movie is directed by Jee-woon Kim, the talent behind the exciting "The Good, The Bad, The…

Wow.  That was as sincere (and hypocritical) as a Boyd Crowder sermon —and hardly justified.  I don't think there was any nostalgia involved, Libby K —simply "remembrance."  And just a bit of comic riffing on a fowl joke.

(Ha!)

Sorry, but as much as I like this show, that picture of Boyd over this review makes it look like he's about to quack. (Ducktified.)

So Stanley's President Merkin Muffley suffers the same cultural dissing as Adlai Stevenson:  He's just too wimpy, indecisive, and tragically egocentric to even be considered a monster.  Still, I think he should have made the list for being such an important lynchpin in the Rube Goldberg machine that led to "The End of…

Debra Fenstergrable, Police Stenographer.  This is a transcript of undercover recording #23-G3092.

"Shhh.  Remember that scene in Pulp Fiction that's kinda like the Rubberman in American Horror Story?  Let's be quiet and see if the audience puts together some kinda reference for us.  That's funny, right?"

Absolutely: It's rousing and sad, funny and heartfelt, with dramatically expert direction and emotional editing.  It's fantastic; and it's right here, for the unintiated:

Laugh?  I thought I'd die!