Square Enix must have REALLY wanted out of the western game business, because $300 mil for those studios AND the IP is a fucking STEAL
Square Enix must have REALLY wanted out of the western game business, because $300 mil for those studios AND the IP is a fucking STEAL
Normally I’m just whatever to slideshows, but THIS column has never been one and it has SO MANY entries...no. Just. No.
This is the Sonic equivalent of FMA fans bringing up Nina in every topic.
Going off the headline I thought you meant this one:
...
Those are some pretty selective stats you’re working with there, chief.
Is that you, Logan Paul?!
I wish he’d paid more for it. I also wouldn’t mind if someone spilled a beer on it.
That thing is double the price of Action Comics #1? Sure, Jan.
I think you might be confused; Will Smith is a podcaster and game developer, not an actor.
“The game plays really stiff, the tracks are uninspired and repetitive, and everything just feels cheap....there’s some quality alternatives like Crash Team Racing.”
Tim Collins, if you’re reading this, hit me up.
Sounds like she got all the Napoleon complexes riled up something fierce.
All you need is a bit of random chance—or some friends
I get where you’re coming from, but Mass Effect and Madden are big additions for those who like those games but not enough to buy them. I’m particularly looking forward to Madden, being of the type that likes the game but doesn’t need to have the latest version of it throughout the season (I actually wish I had been…
Well fuck, wrap it up devs....this guy didn’t like something in the 90s.
“This may seem like an overly cynical and bad-faith interpretation of what Critical Role is doing with this new campaign.”
As a first entry in a new series, of course it will take some growing into.
The Dick Tracy timeline?