If this interview doesn't make you a Tom Hardy fan, I don't know what would. This guy…I'm just glad he exists and that he has the opportunity to do what he loves to do.

The film reminded me of David Lynch in some ways. Maybe the pervasive reds. I liked it, so I'm glad Rabin liked it, too.

Myrna!!!

It's the bummer of bummers. No director for Haynes, either, and no production design. I just checked how Haynes fared for Far from Heaven, and you know what? No best pic or dir noms there, either, so I guess the Academy just doesn't think his movies are all that. Oh well. Screw you, Academy.

And Aaron Paul? But only as Jesse Pinkman, of course.

In the basement of Alicia's apartment, you'll find Zach, Taye Diggs, Robin, and Other Cary chained up. Somebody please free them…

He can hire Florrick/Quinn to sue the Kings…

One thing for sure — the alternate, non-rubbish Cobbler must star Daniel Day-Lewis as the main character. "I have a very long needle, you see, and I STITCH YOUR SHOES! I STITCH IT UP!"

She was on The Shield for a bit, too…played like a prosecutor or something along those lines. These two women are so, so beautiful in this film. God, I love this movie to death.

I never thought much about Josh Lucas before this interview. But wow, this is just really wonderful, frank, under-the-skin kind of stuff that great interviews are made of. Wishing you all the luck in the world, Josh.

A bit of useless trivia — The Immortals, the band that is responsible for the album (and the iconic song), is basically The Lords of Acid (Praga Khan and company). I don't know how many different band names Praga Khan used, but it's gotta be like a dozen.

He'll always be Jo Polniaczek's dad to me. Great writeup!

Isn't that the beauty of this episode? That judges have lives outside of the courtroom, and what they face (which is what everyone faces — put on hold, being told to appear in person to do things, etc.) has direct effect on their jobs. The POV-switcharoo really humanized every single person in this episode.

This is one of those episodes that make me wish there were less episodes of The Good Wife per season. The case of the week was the only saving grace — everything else just felt forced. Both the ethics lady (Melissa George) and Will's girlfriend feel like they belong on a different show or something…