I watched her with Bryn Terfel in "Sweeney Todd" on PBS and she did pretty dang good. She had a tough time navigating her passagio at times, but I'd be in a movie/recorded setting and not a live setting, she could definitely nail it. I mean certainly, nobody can compete with Andrews, but ET could do a bang up job.

Lots of tennis balls on sticks.

Nice nausea! High five?

Will it have a bad, Helms Deep knockoff battle at the end?

Well actually, it would be D-Bm-A-G, but I guess dbmag isn't really an insult.

Gary Oldman at one point actually forgot his British accent. He had done so many different roles with different accents that he had to relearn his British accent.

It's actually an old French folk song. Mozart has a fairly well known piece that is 12 variations on it: https://en.wikipedia.org/wi…

It's similar to listening to Mark Addy's weird, vaguely New England American accent in Still Standing.

The one I still remember scaring me is the fire ghosts one.

Oooooooooooooooooooooooooooooooooooooooh!

I loved it, and Ben Foster is magnificent in it.

She's just mashing it!

"Welp, see ya later!"

IT'S STILL REAL TO ME DAMMIT

greatly exceeding industry estimates.

I'm referring to what @avclub-22eda830d1051274a2581d6466c06e6c:disqus said about that most local places aren't any better than Papa Johns, and adding that they are also way more expensive.

And way overpriced at the same time.

But will AVC cover it, that is the question.

A former professor of mine, Dr. Ken McLeod, has an excellent analysis of Bohemian Rhapsody that discusses all of the classical music musical references.

There are a lot of good music journalists in non-popular genres like classical, which is probably due to most classical music writers having some knowledge of music, and assuming most of their readers will have some classical music knowledge (I would bet many, if not most fans of classical music have some classical…