If he didn’t, someone should for him.
If he didn’t, someone should for him.
Did you hit your head?
Screw Jay Leno.
I think it’s a bundle of a bunch of podcasts. I know Nicole Byer’s podcast is part of the Team Coco productions. There must be others.
I’m still trying to wrap my brain around how any podcast could be worth a hundred and fifty million dollars. Especially one that is just a one-on-one interview. I mean, I get that it’s for more than just one podcast, but still. The ad money from these things must be profoundly excessive.
I find it so weird that as technology has advanced, people are basically going back to radio for entertainment. I mean, the subject matter is different, but podcasts are basically old-time radio shows.
The backlash to the backlash of this has been “Well if you’re SO offended don’t go to comedy shows! The joke wasn’t even that bad!”
Right? Did he see how #MeToo unfolded? It’s like a drop of vomit. There’s no such thing as JUST a drop of vomit. There's always a puddle somewhere that you need to find first before you step in it.
TechCrunch pointed out this morning that Musk signed a non-disparagement agreement when he put in his offer, and it’s increasingly evident that he either doesn’t know what that means or lacks impulse control. He’s clearly trying to drive down the stock price so he can renegotiate, but I hope Twitter holds the line and…
Watching Musk’s backpedaling has been amazingly hilarious to watch, especially now that the Twitter board has announced that they will enforce the buyout. What was also astonishing that Musk’s original deal apparently explicitly waved away the due diligence part, so no matter how much he complains about the uncertain…
As of last week, with Tesla stock plummeting, Musk seems to be backpeddling.
It’s been said a thousand times; just because he has money doesn’t make him smart. Dude’s a dipshit.
I should be so broke.
It’s a fair point. Peacock is no Apple or Hulu, but it’s a start. It wasn’t long ago that everyone was making fun of AMC for trying to get their foot in the door with a show called Mad Men. Matt Weiner even said how all his colleagues thought he was committing career suicide by making a show for them.
I really hope this lands big. Emmy Rossum is one of those actors who absolutely should be a star, but just hasn’t quite landed that project that matches her skills. Phantom of the Opera *should* have made her, but it was badly done, and the Phantom miscast. Shameless was career best work for her, but it was hampered…
I’m worried without two of the most interesting, watchable characters, they’ll have a hard time topping last season.
Perhaps AVClub could finally cover the series episode-by-episode as many of us have requested over and over; gushing about it in your ‘best of’ lists while writing two articles per year on it is a bit incongruous.
season 2 was so good that i don’t know how it could be topped... but i’m looking forward to this regardless :)
She’s talking an awful lot of shit for someone who recently championed Halloween Kills.