Immigrants!  That's what they do, drive around all day, listening to rap music, and shooting all the jobs!

The Puerto Rican Day Parade has George, Kramer, and Jerry, all adopting fake names, normally one of my favorite conceits on the show, and somehow manages to bungle it.  I do like the laser pointer and Elaine trying to take a cab home though.  People just seemed to have outsized expectations going into the finale, and…

I hate to invoke the Chinese Restaurant, but it seems like an apt comparison.  They are both experiments in episode structure that are intriguing enough, but not really the most enjoyable to actually watch.  I think the Chinese Restaurant is a brilliant execution of the concept that, for whatever reason, I personally…

George riding into Jerry's apartment on his scooter reminds me of George strutting into the coffee shop wearing the toupee or the velvet jump suit: rarely do we see George triumph over minor irritations.  Whether it is walking, being bald, or not being ensconced in velvet, George rarely gets what he wants.  That alone…

Bizarro Jerry by far.  Kramer's reading of 'crackers' is just great, but the montage shows him opening his brief case and stuffing his mouth with crackers.  Awesome. 

I don't normally pity people for such small things, but, @avclub-0f0d67e214f9fef69b278e3d08114da9:disqus , I really pity you for not getting the full effect of that awesome exchange. 

Elaine sounding incredulous that she was rebounding with the guy is great.  "Vegetable lasagna?  He's an idiot." 

"Now that we are no longer paralyzed from the neck up, let's celebrate our new mobility by looking up!"

I never got the impression from reading the review that the choice to do 'the right thing' was linear, but it is good to see that the film doesn't actually make it that simple.  Not that brevity can't be a strength, but I am glad to see that the film makers were able to take their time with the material.  Two and a…

Cool.  I was even going to ask if they had an equivalent to Scott McCloud's work for understanding film and it mentions one in the article. 

All that excess 'breading' has to go some where. 

Um, no.  Plenty of men think Witherspoon and Heigl are attractive.  You might be onto something with SJP, but Witherspoon and Heigl are both just hot.  They aren't particularly good actresses, so rom-coms are about all they can do. 

I beg to differ.  The article is a perfect place to discuss whether Electra or Catwoman was a worse spin-off.  I am going with Catwoman. 

My problem with Limehouse is that he is there more to represent a really cool plot element (an embattled, isolated, and rural, black community) than an actual character in his own right.  I'm intrigued by the unique power he would have for leading a place like Noble's Holler, but we know nothing of him other than that…

Raylan's description of that scene was priceless too.  "You rolled over my car once and I backed into you."

I thought Quarles took it as a win-win proposition. If Devil can make Johnny defect, great.  If Devil couldn't, he lets Boyd know that the one thing he has going for him, the loyalty of the locals, isn't quite the asset Boyd thinks it will be.  Boyd knows there is a better deal in town for criminals.  Quarles is down…

For what its worth, there are more Ewoks than there are Gungans (Jar Jar Binks was a Gungan, right?).  If you really hate Ewoks, I could see ranking Jedi below Phantom Menace.  I don't agree with that sort of insanity, but I can't really see another explanation. 

The premise was essentially flawed since it assumes that the only things you can ever look into are new releases.  Also, this winter has been pretty mild as far as snow in Chicago so I would expect to see less complaining about it. 

Assuming I didn't miss some key detail, Boyd must have had some part in the corrupt cop breaking Boyd out, right?  Boyd knew the guard already and using the guard to execute the plan would have put enough distance that Dickie might not have seen Boyd's plotting all over it.  It would have been odd for Quarles, who was…

Dewey was never better than when he was robbing people and shouting, 'I'M MARSHALL RAYLAN GIVENS.'  Setting it in prison is going to limit the possibilities for greatness like that.