westsiiiiide
westsiiiiide
westsiiiiide

You can never recapture the experience of seeing the dinosaurs in the original on the big screen. Nobody had seen anything like it and even if the story was a bit meh, it was a groundbreaking film. We’ve now seen SO MANY dinosaurs (yet, somehow, all inferior to those in the original) and digital whatnots that the

All these years later most of those “eviscerees” are still ensconced in their positions of power

Oh, that is nightmare fuel.  Yikes.  Only a matter of time before someone’s showing up at an ER -- and let’s just hope it isn’t a kid.

It exists to prove the people who said it was a stupid idea wrong. Unfortunately, its existence provides incontrovertible evidence that it was a stupid idea.

LOL, there is no way that thing has a drag coefficient of 0.34. Where did they get those numbers? Musk himself, I bet. They certainly didn’t do a proper wind tunnel test themselves.

Tesla has already notified CT owners to wash their trucks immediately if any bird crap or bugs contact the stainless steel.

If you have to explain to people why you’re a comedy...then you are not a comedy.

The simple answer is that the producers knew that if they submitted the show as a drama it wouldn’t stand a chance of winning, especially up against a juggernaut like Succession. It’s the same reason there are more than a few actors who have won major awards in supporting categories when they were clearly the leads.

There is no logical debate here at all. The Bear is a fantastic show, but it shouldn’t remotely be considered a comedy, and it’s not fair to the other actual comedies to put them in that category.

I, for one, hope beyond all hope that Kimmel sues Rodgers, McAffee, ESPN, and his bosses at ABC & Disney.

I feel like the only context is that Kimmel has taken a lot of shots at the right (although most late night hosts have), including at Rodgers specifically, so Rodgers has an axe to grind. So while “I bet they’re on Epstein’s list” has become a popular refrain for right-wingers when any of those HOLLYWOOD ELITES

Director’s cuts are mostly marketing ploys. There are a few exceptions, bu mostly it’s just the studio getting to release the same thing twice and pretend it’s a new product.

Can we stop with the bizarre hang-wringing about The Marvels? Look at how apologetic the writers are about labeling it disappointing. “Perhaps no other film had a steeper road to climb this year than The Marvels,” it begins, unconvincingly. Then it blames the rest of the MCU (despite literally every MCU movie doing

Watch how quickly and inexplicably that changes!

This all happened before....

So no answer then.

This is all hypothetical. I’m trying to get people to acknowledge that while a particular issue may not matter to them, personally, they know deep down it matters to some people. And if it matters to some people, and enough of those people vote against a candidate, it should matter to everyone who will be impacted.

So, basically, Rock is really just another man who got rejected by a woman and then made a very public joke at her expense.

I really dislike this woman. She’s insufferable and humourless. Her constant need to overshare every damn detail of her marriage is telling. It seems as if she can’t be as famous as her husband on the steam of her talent, then I guess she can be as famous by writing/speaking about her marriage.

The list should include Ultraviolet, a late nineties UK tv serial from Joe Ahearne that starred Jack Davenport, Idris Elba, and Sussanah Harker. It is a smart horror/thriller, easily binged at only six episodes, and can be found on Tubi, Pluto, etc. Plus I think the unsold U.S. remake pilot can be found on Youtube.