If that’s how the show wants to play it, fine. It just doesn’t make any sense.

“Any reporter in that newsroom should have been alarmed by her defending putting an advertorial in”

Yeah, he’s able to carry ice cream and keep it cold at super speeds in the same episode that his super speed sets someone’s clothes on fire.

Yeah, he’s able to carry ice cream and keep it cold at super speeds in the same episode that his super speed sets someone’s clothes on fire.

In other developments, Jimmy actually complains about the journalistic integrity of an advertorial in a magazine. How quaint.

Calling it “stuffed” is an excuse. If the premise of an episode doesn’t mesh with the premise of the show, or raises questions about the larger premise, then it’s up to the writers to anticipate and address that. The fact that Superman exists on this show has been its biggest problem from the start. They try to dance…

“The Children of Rao are disabused of their idol far too easily (is not bleeding a requisite for being a god?)”

Here’s a question. When is the presidential election supposed to take place?

It’s pretty clear the episode is trying to explore the idea of a pure democracy enmeshed with a cultural obsession with social media taken to the extreme. It’s a timely topic and that’s why it exists.

A couple questions linger about Kara’s mission to Mars.

As to Wally calling out the team for not noticing he was gone … during the casino scene as Flash was trying to stop the slot machine I was wondering why no one called Wally to zoom in there to help.

So, this episode has a great example of how everything Barry touches while running fast also seems to gain speed force powers despite no logical reason for doing so.

Huh? I’ve noticed the weak writing on the show since its started. This is just the latest notable easy to pinpoint example.

Yeah, some weak motivations on her part.

This show is becoming ever more tedious and is really starting to become a chore to get through. The acting from the guest stars is just hammy and the writing of the interpersonal relationships seems forced. And that’s not to mention the show’s continuing struggle to localize its threats for what are essentially two…

I seem to recall there was a henchman from a few seasons ago who they said had powers that weren’t caused by the accelerator explosion, and everyone seemed surprised by it like it was some big mystery, and then they never spoke of it again. Hopefully that guy will tie back into this storyline.

Barry stopping the out of control car by simply dismantling it was classic. Very Super Friends.

Mercer says that arrangements are being made to send the children back to their families, on the Krill homeworld I presume. I’d love to hear that conversation.

Really? I don’t see it as anything but comedy. Especially the parts that try to be serious. It’s like performance art, the joke being how much they’re trying to present serious sci-fi during insanely absurd premises. It’s like Andy Kaufman just reading “The Great Gatsby” all night. Commitment to the material is the…

There’s no need to prove anything. One of her statements was literally, inarguably wrong. “Stanley” was wrong too. They were both wrong at different points. They were talking past each other, like any other typical Internet discussion. There was absolutely no reason for this to become a thing, except that Max Landis…