If I wanted to read a comic book, I'd be reading one. That effect did not work for me at all.
I found the movie's somber tone dull, I thought the effects looked silly, and the villain was really lame.
If I wanted to read a comic book, I'd be reading one. That effect did not work for me at all.
I found the movie's somber tone dull, I thought the effects looked silly, and the villain was really lame.
Ian McShane really sold his mixture of brutality, pragmatism and quasi-familial loyalty to his "people".
I remember hoping someone would shoot him and then being terrified that kidney stone/stroke was going to kill him. And that was in the span of 2 episodes.
"Juigi" certainly wouldn't be doing a series with a history of problematic ethnic stereotypes any favors.
The way she delivers dialogue is weird in how it's incredibly stilted but also feels like how people actually talk. It works, but I can't explain why.
I honestly think Hannah was afraid that their fling was meaningless, and was aware that he might not even remember her. She was in denial up until the point she called him.
Hannah believes she is special, that her life matters in a significant way, that she is connected to something bigger than herself. That phone…
I thought the Swedish actor looked a lot like Craig well before he was cast in the Fincher version
I think Jessa is all too aware she's the problem. She's like a semi-truck driver with no brakes, just indiscriminately mowing people down because she has no idea how to steer. Which kinda makes her a perfect match for Adam, but geez, is it hard to watch.
I'm not really in the "Jessa is awful" club, in fact, she's one…
Are you kidding me? That song was an anthem for sad sack guys everywhere (it could be called "friendzoned" for all the quasi-MRA vibes it gives off) for a good chunk of my adolescence. I still hear it in the grocery store.
I always found it ponderous that people interpreted LOTR as a war on terror allegory, when the villains of the story are a single-minded entity seeking to bend the world to his own will (Sauron) and a greedy industrialist who covertly installs a puppet regime to weaken resistance to the "new order".
(Saruman).
I think the era of the military dictator is coming to an end. I believe we've entered the era of the CEO dictator. Which seems worse.
Give him ten grand.
They're god awful trash, but I kinda like em because of how terrible they are.
"Extract" did a similar thing with Bateman and Mila Kunis, but at least somewhat aknowledged the creep factor.
I'm sure Norma can do something about it…
I don't know. I forsee his new line of radiation suits and gas masks selling like hotcakes.
Dude, you're supposed to be President in 2 months, get off fucking Twitter and start learning your job.
Wesley/Illyria kinda worked BETTER for me. Because she sort of wants him to be infatuated with her and he rebuffs her, even though he has an obvious attraction. Plus, Wesley is such a sub, he would've been way into it eventually.
Honestly, I think it boils down to what kind of person they were before they got vamped. Liam/Angel was a drunk, lecherous bum and William/Spike was a romantic, sensitive poet who was overall a decent person. The series repeatedly hints that the nature of a vampire actually has a lot to do with the nature of the human…
Do you guys remember the episode where he forgot to pick Maya up from the dentist while she was coming off novocaine, but then tried to convince her he had been there, but she was too high to remember? And then she got revenge by drugging him and sending him on an important photoshoot wearing a theater mask and…
Didn't he come back later having somehow convinced his family he had ACTUAL brain damage from a different accident?