This is what I’ve been arguing since week 1.

Agreed. They pick an interesting and under-publicised topic, and then say absolutely nothing about it.

I suspected it was over for Frankie early in this season (yeah well done me) but I’m still sat here stunned after that episode.

Ha, the cast are really having to contort themselves in these kind of interviews.

The enternal paradise bit was nicely done, I thought. Then they go and ruin it with the “argh I’m burning” thing at the end, which was GoT S8 levels of subtlety.

JEREMY. RENNER. APP.

Alright Dad

Fun fact: My Dad used to work next to the Jim Henson workshop. One day he came out of work and there was a giant, muppet-like Chinese dragon in a skip.

Lawrence didn’t seem too miffed that on the day of his wife’s suicide, the handmaid had smashed her into a wall a few times. Nor that deaths have begun to mysteriously happen all the time anywhere near said handmaid.

Quite unsure what to think of this. It’s a stupid thing to do, but context is important. If it’s some mad debauched party and everyone’s a mess, then making an issue of it a decade later seems a bit odd, especially given the melodramatic tone of those posts. If there was a series of abusive incidents, then he’s got a…

That means Boris Johnson will be funny by 2040ish.

Agree with this. Also, I’m not sure if it’s even a case of Portman being committed to the performance, more that she isn’t a particularly charismatic actor, especially compared to some of the other female actors in the MCU.

Mostly kitschy indie girls with guitars then. 2004 called.

So we started off on Beiber, then to AVClub editors, a bunch of other stuff, before eventually “TRUMP WILL SERIOUSLY BE RE-ELECTED!”

Calling him a bummer is a bit much.

They’re an acquired taste, but once it clicks, it clicks hard.

I’m not having that, Hairpin Turns is an absolute belter. It has that weird differing rhythm between treble and bass they mess with a lot.

Most of her violence was towards people who kinda had it coming.

It’s because they each took turns in setting out the vision for each album. I forget who’s album Silent Alarm was, but remember clearly Kele’s was Intimacy (hence the electronics).