Give it two episodes. I liked the pilot, but about half of it really is a retelling of the movie in some ways, while the second is where it’s more of its own thing, and just keeps getting weirder from there. It has a crazy fun sense of humor, and still doesn’t have a problem going dark sometimes either.

That gloriously insane write-up has won me over. Going to give this show a shot now.

THIS.

I like the fact that the show continues to show that even though the drug makes him a super genius, at his core he is a hilarious moron. I hope they never get rid of that.

As much as I like Arrow and Flash they both suffer from CW fan-fiction dialogue syndrome, just like the CW vampire shows. AoS is superior in its scripting and direction.

ME is not being about just being chronically tired is about not having energy on demand to do basic tasks: you cannot raise your arms to brush your teeth without your heart taking you to your anaerobic threshold which is very low in ME (24h Halter monitor will confirm). Would be equivalent to you running really fast a…

I like that they do not depict law enforcment as being a bunch of incompetent idiots. The Captain and Detective Bell carry their weight and I notice how often Holmes will spot something, make a deduction and one of them says, “yeah, we saw that, we’re checking it out”. I also like that the show allows him to be wrong…

Okay, but a couple things were cool;

Hey....wanna head to Bueno Nacho ?

Well where to begin. It was an alright episode. Nowhere near as good as last week’s claustrophobic thriller but not anywhere near as bad as the first two episodes. Overall it was just an ok 45 minutes.

I agree this was definitely one of the strongest episodes in a while (definitely better than anything last season, and the best start to a multipart episode since The Rebel Flesh). On the other hand, I’d be careful about suggesting that means Whithouse should be a show runner. Moffat has already given us a top notch…

The title of this article should be said in this way:

I guess having not read the Supreme stories I didn’t notice it as much. Sophie felt like she was occasionally a bit thinly characterized, but there was enough of an interesting distinction between her and Promethea-Sophie that it mostly worked. What I really enjoyed though was the supporting characters. The…

I feel like cases like Morrison and Moore become traps that get easier to fall into the bigger a name you make for yourself as a writer. Anyone who has ever written anything knows how easy it is to come up with some element, maybe the entire plot, that you find personally fascinating and you nearly flog it to death…

Unfortunately, simply because a writer can create good dialogue there’s no assurance that’s going to mean a good story, which is a problem because the dialogue needs to move the story along. Gail Simone’s Wonder Woman for example. All the things you love on one of the most boring stories ever. The pace was glacial…

“We need to show these people what the MEN of the RAZA are capable of!”

A fantastic singer trapped in a label dispute for too long after becoming the youngest artist to ever land a #1 song on the Billboard Hot 100 at age 13. She’s free and signed with a new label and is beginning to release the fruits of that labor. Who are you?

Super green!

“Do you know what your daughter did? Your cunting daughter?”

Julia. Human depravity personified. The true villain of the first two Hellraiser films.