I’ve liked almost everything he’s done, but this just felt like a dry run for something else.

The difference between the two is that Shatner did a bunch of very popular things, and normal people are familiar with his work. He’s a big personality, but his work (mostly Star Trek) is arguably bigger than him. I think most people are more aware of the Herzog persona than they are of his actual movies.

Slightly different eras. They crossed over, but Meyers was closer to the Carvey/Hartman era. Plus Sandler’s crew all started as standups instead of sketch performers, and I think that’s a big deal among comedians.

If this is a serious question, I think it was when South Park did that fake trailer about him where he’s a stapler.

I never liked Lawrence either, but the girl who played Shanaynay was a comic genius. She needs to be on more stuff.

To be fair, all of the examples you cited deserved to be called out. While I wouldn’t be surprised that what you’re saying is true, do you have any numbers to back it up? These specific cases don’t seem to be that egregious, and listing 4 things doesn’t really prove that it happens more, especially when someone else…

Your disdain for the genre seems to be based on a fairly shallow understanding of it.

You’ve hit the nail on the head here. What would a review of a Neil Breen movie even look like? I think it would resemble this review, in that it would really need to give the context of his career to understand why people think it’s worth watching. Commentary on individual movies like his are better left to RiffTrax.…

I think it’s a combination of the movie not being very good, people not liking Jerry for his political opinions, people being disappointed that Jerry hasn’t produced anything good since the sitcom, and people who want you to know they never found him funny. It’s a perfect storm for lots of people to dunk on it.

I think it’s telling that so many of Korine’s other films are referenced and recounted in this review. You really need to consider this in relation to them to get any meaning out of it. I’m not saying that makes it good (I haven’t seen it), but Neil Breen doesn’t have the filmography that lends itself to deeper…

The ravioli bit felt like it was from another movie. It didn’t fit with the rest of the jokes. I feel like every joke was just “to pad out runtime.” It really seemed like Seinfeld just wrote jokes until they had enough for a 90 minute movie.

No. I don’t think you understand. Try reading it again.

Telltale cut at the moment he takes it out in a movie full of forced perspective. I doubt that blade was even close enough for him to hear it.

It’s weird that Seinfeld couldn’t find someone to direct since seemingly every comedian was in the movie. David Wayne or Michael Showalter probably would have been able to do a good enough job.

I’m a little surprised about the absolute hatred of the movie. It’s nothing special, but hardly something to have a strong reaction to. It’s probably as bad as the _____ Movie series, but at least it’s only one and not a continuous rehashing of the same things.

It’s a non sequitur response to the topic. “Jerry Seinfeld has terrible political opinions” and “ I never liked Jerry Seinfeld’s comedy” have nothing to do with each other. The implication of this statement is that somehow, through your dislike of his comedy material, you were able to predict that his future…

The first 3 seasons of Buffy are better than anything Angel ever did. maybe it was because he was on them? I don’t know, but once they left high school the show never recovered.

Did anyone watch The Offer? I’ve never seen something so obviously written by the guy its about. Ruddy portrays himself as the only reason the film got made. He’s like Poochy. Every time he’s not on screen, everyone’s asking “Where’s Ruddy?” He tries to portray his relationship with a real life mobster as anything…

Well that’s just insane. The one time they don’t want to appeal to old IP.

Trainspotting and Lost Highway are the real all stars.