Yeah, she broke from the bubblegum pop early on. My favorites from Wild Hope are “Extraordinary” and “Gardenia.”

And yet, Bloom has pinned an article about her own abuse experiences giving her compassion for all victims.  This lawyer’s got some mad compartmentalization skills.

Peanut Butter Falcon. Nice one to see with the parents. There were a few odd choices made in the third act, but they didn’t ruin what came beforehand for me.

This finale measured up much better to the London one than I was expecting. I’d been afraid I would need to ignore this season when remembering how Elementary wrapped up.

A mixed bag for me, but some definite highlights. I loved the “Mother” segment. And I was tickled by the Switch reveal, how only after abandoning a linear view could she graduate from her lessons—and receive entry into a wider existence. Kerry’s final combat scene was impressive, too.

I would expect a pile-on no matter which cast member was involved. Similar to the tons of articles making fun of Tom Holland for his spoilers.

But she’s fully aware of every film containing vaginal steam treatments. So, unless Jackson stars in Snake Oil on a Plane, his work will likely remain off her radar.

Don’t get me wrong. I still think it’s a solid film.

For me, Jyn Erso’s inconsistent characterization is what leaves it feeling calculated, like Disney didn’t trust audiences to root for a jaded hero. So her loner edge comes and goes without reason. And her inspiring speech before the final assault belongs to someone else.

SNL skits from the time period had John Goodman as Linda Tripp.

The only character I remember liking in that movie is Tammy, the jock’s sister who runs on a this-is-all-bullshit platform.

Damn, I loved that. Very moving to see Syd regain her empathy. And it helped me understand her behavior in prior S3 episodes. The experiences with David and Farouk drove Syd to wall off her most powerful ability. And Cary’s sacrifice? Heartbreaking. Just like Twin Peaks, emotion can sneak into Legion’s surrealism when…

Lenny’s scene held emotional weight for me. The rest of the episode, not so much. Something about it held me at a distance, like I was viewing the events the same way as David. And that’s a shame, even if the effect was intentional. Wiping Sydney’s mind should have been a gut punch moment. But this wouldn’t be the…

The Duffers say they hadn’t planned on multiple seasons until Netflix asked for them. Eleven was meant to die during her final moment of heroism. And, I assume, Will came back free of any lingering connection to the monster.

Interesting. Spielberg could adapt the same book for the same reason.

Hollywood’s go-to bros for addressing rape allegations. How you like them apples?

There was a guy in grade school who would try to initiate this kind of “manly” camaraderie with me during lunch. He’s now a successful business owner, and been elected president of our city council.

I have no interest in the show, but the edit makes me wonder about Netflix’s power over their artists. Is this now the only version available? And did they get permission from the show’s creative team before doing this?

Everyone’s a villain, at times, but rarely admit it. For sanity’s sake.

I also find it noteworthy when he insists to his mother that he’s not crazy. He’s still placing all the blame for his symptoms on the Shadow King. Granted, Farouk caused or worsened plenty of these issues, but David has yet to accept that part of his mind’s “darkness” is naturally inherited.