There will never be a Disney Hack. Three minutes after they get past the firewall, Strike Force Walt will crack down their door and teach them the REAL meaning of "It's A Small World".

You've heard of her indie film project, where she plays a struggling proctologist? She's been working on getting the kickstarter launched.

Heh. You've got a point there.

There is Claire, true. Claire is the thing that does match what was foreshadowed. Of course, John had no way of knowing that.

I think a big part of my problem is knowing that the main impetus of "You have to go back" is fruit from a poisonous tree. To whit: Jack's turning point is being visited by Locke, who tells him. But Locke tells him because he thinks Jack and the rest of the O6 leaving is the cause of the "things that went wrong"—…

I'm more saying that the information he has from Locke doesn't strongly justify "WE HAVE TO GO BACK!" I mean, you're right, the notes of the song are there, but it's lacking depth.

Well, and it gave Sayid and the Kwons something to do, and gave the illusion of a valid counter-plan to "looks like the Others will take you". Without it, the three of them would have just sat on the beach with Claire.

I think it was the snow that made many people presume Russian.

On the whole, I like a LOT of NPLH, except for the stuff in 2007— and much of that is in retrospect, how what Season 5 shows doesn't quite work with what NPLH foreshadows. I've spoken before about how the "Jeremy Bentham" stuff falls apart, and I don't think other elements— like how Jack is in his broken state,…

I did a rewatch recently of the whole series, the first time since it originally aired. I have to admit, I thought I'd be bored for Season One (since I thought it wouldn't be interesting already knowing the various "reveals" of the season)— I was pleasantly proven wrong. On the whole, I found the entire re-watch…

All this time, I thought it was "Gentile Herpes".

Break out the Gilbert & Sullivan. It's the only way.

It could be.

I wonder if part of that just stems from the fact that the decision to have Michael Emerson play "the leader of the Others" came well into the process of him already being on screen as "Henry".
But I agree there's a lot of drift about who the Others are and what their goals are (and their exact relationship with…

"I didn't expect to see you again so… spoon!"

"Not a self-made man, David? My mother died giving birth to me, and my father was a useless drunk. Everything I am, I made myself into. And do you want to know what I called the day I killed my father, as well as almost everyone else I had known in my childhood? Happy birthday."

Desmond just returns to the main camp, where Hurley, Sawyer and a few others already are. That's when Hurley finds out.

Isn't Libby wearing the semi-fancy dress?

Like RWG says, there's a LOT of timing problems that pop up over the course of the series due to day/night/day things happening in scenes that shouldn't have too much time between them. Day or Night was usually decided out of dramatic value rather than logistics.

I'd argue that Hurley learning Charlie died was only a couple hours after it happened. Just, for the audience, it was several months between the two.