I think the pomposity is the point…because Sam's super pompous, haha.

Yeah, I mentioned this above, but my only issue with this review is that they actually had someone specifically call out Sam for her "Tragic Mulatto Bullshit" in the movie.

Yeah, my only issue with this review is that they actually specifically called out Sam's "Tragic Mulatto Bullshit" in the movie.

Exactly.

Nice! Klepper provides the most reliable laughs on TDS by a fair margin…and that's counting Trevor.

No doubt. I also like Intimate Moments a hell of a lot more than Live at MSG or Buried Alive.

Aziz Ansari's specials are actually really great.

If she has a contract with Sony that outlines certain obligations, and doesn't give her an out for this situation, I'm not sure what the judge is supposed to do.

She told him that he didn't want him to pay her rent.

Yeah, exactly.

Would Manu Bennett or Colin Donnell be sharing the screen with him at all times?

Danny really isn't supposed to be that intense, though.

Hell, get someone with a dance background.

"Looks like something a gay guy built in a lab."

If the plot hinges on *Petyr Baelish* underestimating a major player because he hadn't done enough research on him, it's a terrible plot, haha.

I still think Zac Efron (channeling Teddy from Neighbors) could have killed it.

It took me a year to watch BoJack, in large part because of the middling reviews it got from the first 4 episodes.

And you can replace "Ramsay" and "Sansa" with a ton of other names, haha.

My issue with the Ramsay/Sansa thing was always that LF sending Sansa to Ramsay never, at any point, made any fucking sense whatsoever.

Exactly. The fundamental conflict between Danny's background and his innate privilege as a rich, handsome, blond, white man is one of the most interesting parts of the character, both in terms of how he interacts with the world, and how he interacts with Luke, Misty and Colleen.