Wait.  What's a commercial?

He's always really awesome with the stage banter.  Plus he uses a lot of Wallace Stevens lines in his songs.

Time Out Melbourne has a good line about the cover: "the 55-year old appears to be shaming a nude woman into defrosting his fridge."

You really buried the lede on Mermaids.  The whole lyric, infamously, is "She was a catch / We were a match / I was the match that would fire up her snatch."

More like Glenn Branca covers!  Zing!

Ok, so it was kind of a flip response, but I did mean it to only apply to articles with a yes or no question in the title.

The answer to every "for your consideration" article containing a question is always no.

Wasn't the original version only made for Swedish television, anyway?

Verily!

Yon Cassius has a lean and hungry look.

Yeah, well with such an intricate plot who could follow it in Spanish?

All the long static medium shots of somebody doing something quotidian reminded me strongly of Jeanne Dielman 23 Quai de Whatever which was obviously a big influence on this film as well as Cache.

All the long static medium shots of somebody doing something quotidian reminded me strongly of Jeanne Dielman 23 Quai de Whatever which was obviously a big influence on this film as well as Cache.

100% diagetic and 100% piano!

100% diagetic and 100% piano!

It is teible

This has been Doctor Who: The Wheel Of Ice: The Review: The Comment

Wait, who did Bowie say was sliding down the chimney?  Asians?!?

Yeah!  Fuck you, Robertson Davies!

weasel-faced electronics whiz Giovanni Ribisi
Two words could have been dropped from this phrase without compromising its meaning, and they are not "electronics whiz."