wild. BOTW to me was essentially “what if hyrule field but huge” and that was always my favorite part of Ocarina and Majora’s mask. The journeys you would take to get to the next dungeon were so colorful and interesting. Then you went in, braved the dark spooky dungeon, and emerged victorious into the sunlight.

that’s a load of bull. do you think art didn’t exist before copyright?

if someone wants to strap oven mitts to their hands and use a controller, sure why not. just put them in their own queue.

lmao

mario should be a papist, not some hillsong snake charmer

but is it worse then Dragon’s Dogma?

the map up top is a hostage rescue map :)

hm? it plays essentially the same as it did in 2015, after they made the movement nerfs. the m4a1s kills with 1 less bullet, and the deagle requires 1 more to the body.

I will fully cop to the fact that the knowledge of Paradox’s fanbase is coloring my reaction to this. In a vacuum, I think you are right, that it is a good educational tool.

I think I mostly have a problem with Victoria, is what I’m realizing, lol.

The problem is less so the depiction of slavery, and more the fact that they’ve created a challenge scenario in which players can choose to recreate US chattel slavery and try to do it more efficiently and for longer. At what point is part of their sales because some weird creepy racists really want to tackle that…

Substack has a lot of talented writers who when faced between getting paid for writing “shitty hateclick” for a badly declining blog and “intelligent and thoughtful” for a small audience chose the latter. it is a shame not every writer could hack that level of talent though...

Think hard: What is the difference between a mp3 and paint on a canvas?

lol

gambling games, not even once

The artist created it, it’s the artists property. Fuck Bungie.

Sure? I have!

I just don’t understand what need it fills. Why do we need “original digital resources” beyond the tools we have currently with regards to digital signatures?

No you should pay artists or patronage them with Patreon.

I can’t help that corporations control our arts and culture, all I can do is reclaim it, while doing what I can to pay the artists directly when possible.