thielavision
Thielavision
thielavision

The Weeper is (more or less) a canonical DC Comics villain. He was originally the arch-foe of Bulletman and Bulletgirl back in the ‘40s, and was eventually folded into DC continuity along with the rest of the Fawcett Comics characters. That said, this TV version was virtually nothing like the original, whose schtick

Agreed on “Bobby.” Saw that as a kid, and it really stuck with me. They remade it for Dan Curtis’ “Trilogy of Terror 2.”

Yep! All three “Trilogy of Terror” stories are Matheson adaptations. “Prey” is the title of the original short story about the Zuni fetish doll.

For me, the original is darker in that there is truly no escape for the surviving characters. They have literally nowhere to run to, and the story ends as it begins, with the townsfolk at the complete mercy of an all-powerful, amoral child.

I’d agree that the ending of the movie version is ambiguous, but it’s

“The Raft” is the only good part of “Creepshow 2.” It’s generally effective, but I truly hate the ending. (Spoiler follows.) The last of the kids manages to swim to the shore, only to have the goo creature rise up as a wave and engulf him. This newfound ability undermines the entire premise of the story by suggesting

Gah. So. Wrong. As suggested below, “The Telephone” is the least of the three “Black Sabbath” tales.

I’d argue that “They’re Creeping Up on You,” “Nightmare at 20,000 Feet” and “The School Bus Massacre” are all stronger than the segments chosen for (respectively), “Creepshow,” “Twilight Zone” and “Trick ‘R Treat.”

It’s

There’s a commenter over on Dark Horizons making the argument that there are three reasons (he proceeds to give four) it received an F CinemaScore, all of which are that Jennifer Lawrence insulted Trump supporters. Never mind that this presupposes that Trumpers paid their money and saw the film solely to give it a

I could. I won’t.

I could. I won’t.