She's more of an "experience" writer than an "idea" writer. Her themes don't rely on saying something particularly clever, but instead on representing the lived experiences of various peoples.

The argument about society is making comment on actual transphobia and oppression— poor representations of trans women in Portlandia and the various instances oppression embedded within social institutions.

But the issue was never the rear-ending here. The issue people are reacting against is the argument about society, not their personal actions.

He would be… if the "extremist" view was descriptive of the issue he was trying to talk about.

Has nothing to do with my point (or their point with respect to Portlandia.) Motivations of money and fame could be true and it would haven't have any impact here.

Not the case. Indeed, that whole idea is part of the criticism— the "extremist" position is good. Part of the charge is Portlandia is negatively portraying many of the important ideas or states that the owner's of the book store (whether real or fictional) have.

Not quite. The bird flies through the ghost door and lets sprit Bode take its body. Bode, with the bird body, flies through the animal door, returning him to human form.

The deeper problem is you are ridiculing someone for avoiding a substance they are addicted to. Even is we are to consider AA the worst thing to ever exist, an achievement of avoiding the substance of addiction is one's own.

Still an issue; he didn't know he and how she felt about such a change at the time. He's has no idea if she wanted to be involved in such an exchange.

I'm not sure you're entirely to blame. In one backnote of Finder: Voice, McNeil comments that she's got better at putting detail in panel.

I've seen a number of people speak like there is some esoteric "mystery" to what going on, but it's always seemed like a straightforward Slice of Life to me— the lives characters and how they matter and I've always felt that was quite clearly

I've always heard "wreck." But she might be doing the thing where singers keep the soft palette really open and let us fill in the exact sounds.

I'd go with Carla Speed Mcneil for Finder, but that's sort of cheating since it's one series and still running.

Phonogram is more about the fandom, criticism and desire surrounding music than the music itself. It's more or less a reflection on the self within the context loving music to hedonistic excess.

I never felt that way. Frankenstein's Monster always struck me as a person with feelings more so than a sympathetic character. In a way Penny Dreadful is sort of about that: people who have done wrong, or who are dangerous, and their struggle to reconcile themselves with the world.

I'd say a Marxist criticism fits if we are talking about the wider context coercion of labour. It's not just about how people are forced by external things into labour they don't feel comfortable with, but also how the need for economic needs turns the individual against themselves— the allure of money is great that…

I find "just not good" to be a real killer for TBS. Spending so much time using and returning same mechanics makes it difficult to put up with much less than excellent.

The problem is the "SJWs" frequently have different values than liberals. Much of mainstream liberalism ignores or even advocates against issues raised by the "SJWs." It envisions a just society as merely a question of letting people be whoever they want to be, as if their weren't social and economic pressures which…

I think it's a thematic focus to the expense of anything else. It's storytelling for people who care about what is being said more than dramatic force or entertainment. A certain kind of critically aware story that's about ideas and how a person might experience them (e.g. Patriarchy, isolation, of death and…

Saga volume six: The wheels spin and spin, but nothing really happens. Still pleasant enough in it's own sometimes off-putting way, but it's fallen into dramatic inertia. Too much refection on minutiae and not enough character and plot which ties into the themes.