The Duel was straight fire lol, easily one of the top two.

Ignoring the fact that these Japanese studios are already FAR larger than many of their American counterparts (Studio Madhouse has like 70 employees, I’d be surprised if TRIGGER had anything less than twice as many), they regularly do outsource their work and rarely do everything themselves anymore.

...Apparently it’s the same as Japan’s obsession with guns, you know, considering the anime this article is about is literally about schoolgirl “assassins” running around with guns and my comment was about the ubiquity of it in Japanese media lol.

If you were to say “two years is pretty standard for a Japanese animated show” then maybe, because they really do love to drag their ass on stuff lol.

Getting salty because I explained why 2 years might be considered way back to someone else?

Context matters.

Clearly we have vastly different tastes regrading anime and expectations for something “Star Wars” lol.

I mean, I don’t really normally watch that stuff so it’s not like I have a running list, it’s just some random stuff I’ve seen over the years lol.

Or else it gets the hose again?

Trigger has recently buffed its catalog with provocative world building by giving Star Wars a much-needed creative facelift with a few episodes from its Disney+ anthology series, Star Wars: Visions

By “our culture” you mean America (and Canada I would assume).

She was narrating audiobooks nearly a decade earlier than that lol.

Nothing against him personally or anything, but his voice work is always just him being him;

It isn’t, you could literally remove the word “voice” from their entire argument and it would apply exactly the same lol.

What the hell is Japan’s obsession with grade school soldiers and assassins?

Schrodinger’s Millionaire.

I mean, I could maybe see him in a stand alone spin off.