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I have literally been waiting for someone to say this. I have thought "Should I write it myself? Because CHRIST." I have refrained because a.) I am a dude, which diminishes my credibility on the subject somewhat, and b.) I have online audience whatsoever.

The second one.

"We’ve fallen into an all-or-nothing rut with feminist criticism lately. Battle lines are immediately drawn between movies that are “feminist” (i.e. “good”) and “sexist” (i.e. “bad”). And that simplistic breakdown is hurting our ability to actually talk about this stuff."

I love this movie. I'm sure someone will correct me on this, but I feel like this is the last truly *great* romantic-comedy movie. I would love the genre to have a comeback, and be re-invented—to have some movies that are uproariously funny, un-apologetically romantic, and genuinely great cinema—but I dunno what it

This article fundamentally misunderstands the psychology of suggesting Rosie to play Bannon, to an honestly embarrassing degree. The goal is not to persuade anyone, especially not Trump supporters. That is not the work this is designed to do. Here is what we know:

I have every expectation that they are trying to soak Trump for every quick policy victory they can, while subtly encouraging all his worst behavior, so they can dump him with an impeachment as soon as it becomes politically expedient (read: when his approval ratings dip low enough that they won't be branded as

…who?

Keanu Reeves, like Arnold Schwarzenegger and Sylvester Stallone, has been a great performer with a limited range (like most actors, if we're being honest) for a very long time. But due to some critical instances of miscasting, and the critical establishment fundamentally not valuing the kinds of genres that play to

Geez so sensitive and easily offended :/

Chelsea sounds a lot like what I imagine Hillary's version of Luther to sound like.

The Kristen Schaal ads were WAY funnier than "Super Bowl commercials in which T-Mobile parodies Fifty Shades of Gray" had ANY right to be.

So good. And probably my favorite movie with either actress in it, and both actresses are in quite a few great, weird movies.

Always try to read the first 100 pages of a book within the first two days of starting it, whether I feel immediately enthusiastic or not. I am awful about actually finishing books, and a big part of it is that I often start them and feel wishy-washy when it doesn't immediately hook me. But if I can get more than 100

With all due respect, the section on Attack of the Clones score is a load of horseshit. AOTC is easily the worst Star Wars movie, but Williams's score for it is some of the best music he ever composed. It's not fair that it be ruined by association.

"Hey buddy, I like Jim Gaffigan. If you don't like him, you don't have to watch the show."

This list is almost identical to mine! The only real difference is that I haven't seen Moonlight yet, and mine includes Popstar: Never Stop Never Stopping.

Wow. I just add a whole bowl of popcorn while watching Runaway Train the other night, and I almost never eat popcorn while I watch movies. I specifically bought popcorn FOR that movie.

I am making a reasonable speculation based on the fact that Cumberbatch's performance was not very good, and John Cho is a consistently strong actor who would be less likely to sleepwalk through the role.

Even racial representation notwithstanding, John Cho would've given a better performance than Cumberbatch.

I hate, hate, hate that over the last couple years, pop culture's entire conception of the 1980s has become flattened into "Tron-style grid, moody synth music, and title logos that juxtapose a shiny blue metallic font with a jagged pink brush font." Like, if some fucker on the internet makes an "80s version" of