To this day, I'm amazed at how they managed to cram detailed, playable versions of almost every scene and setpiece in the movie into the game, and then some. It's been 20 years, but I can't think of another game since then that has pulled something like that off so well.

We need more Amandla license plates in the Gift Shop. Repeat, we are sold out of Amandla license plates

If flight simulator games are any indication, then yeah, I can't even imagine how a pilot unfamiliar with an airport is supposed to know exactly which of those tiny little strips is the one you're supposed to land on. Is it basically that you're required to memorize the layout of any airport that you're going to be…

Apparently it at least means that she's Photoshopped into promotional materials. Quite poorly, I might add.

This doesn't surprise me at all. I've always thought that some of his movies are practically suicide notes in movie form. Hey kids, want to know what severe depression is like? Watch The Beast of Yucca Flats. It feels strangely disconnected from the real world, devoid of any joie de vivre or reason to exist.

Also, Vogue is the last song on that album and although it has nothing to do with the movie, damn if that isn't absolute dance pop perfection.

It sounded to me like: "This match will determine once and for all which nation is the greatest on earth: Mexico or Portugal!"

Yeah, something must be wrong with my setup if you guys never see ads at all, let alone these extra long unskippable ads that I see all the time. I'm using Windows/Firefox/Adblock Plus now, but I will try tweaking some settings or switching to Ublock.

They really must target heavy YouTube viewers then or something, because I get these horrendously long infomercials all the time despite my adblocking software, yet everyone else seems to only get 30 second max ads, if even that.

Are there really adblockers that let you skip YouTube ads? I don't know much about it, but I imagine that would be quite a trick.

I thought Zangief and Balrog were the only ones susceptible to that. Can't anyone else just throw a fireball or jump over it?

I distinctly remember thinking "when I'm old enough to drive, I want a car just like this one" whenever I got to that bonus round, just before proceeding to beat the living shit out of it. Even 25 years later, it still looks like a pretty sweet ride. I mean, they could have had us beating up a K-car or something.

MST3K: The Flamethrower. The kids love that one.

I'm legitimately fascinated to hear what they sound like. I've always been particularly interested in finding out how much of the unique brand of cacophony on their recordings was intentional, and it seems like finally hearing them live will shed some light on that. Or maybe not. Either way, this live performance…

No kidding. “It will include everything you see in the theatrical cut, everything in the redux cut” but with “player choice, engagement and immersion.” Ummm, yeah, sure.

Nicotine is a hell of a drug.

A grade of B sounds about right to me. I liked it, but I've been trying to pinpoint what left me mildly disappointed about Nocturnal Animals. I think what you said about the ending sums it up nicely. I would add that I think Edward's story could have used some closure too.

My impression of the SoCal amusement park coolness hierarchy when I was a lad (80s and 90s) was: Six Flags > Knott's >> Disneyland, especially when Knott's Scary Farm became a phenomenon.

Wait a second. Mallrats is a classic now? When did that happen?

He's like Denzel Washington: he's just eminently likeable for some reason. But whereas nobody questions Denzel's chops, Reeves has a distinctive, very deliberate and stiff way of delivering lines that many people interpret as limited range. I guess they're probably right, but yeah, River's Edge is a great example…