It’s one of the most frustrating things about the last four years. It was clear by the end of 100 days that Trump is a gibbering sideshow that provides cover for McConnell to quietly dismantle democracy. The media has been like dogs to shit when Trump voids out his non-stop litany of diarrhea while mostly ignoring the…

Once again here are the two likely possibilities for what happened to Don Lewis:

My favorite Roger moment is at the end of “Bar Mitzvah Hustle,” when two of his alter-egos nod at each other and he suddenly has a moment of lucidity: “Wait- how did I get here?! I think I’m cracked in the head!”

May I say as someone who used to work with people who were friends with the Fandom Menace.  Fuck every last of them.

“In their July conversation, Mr. Fisher recounted disagreements he’d had with the film’s creative team regarding his portrayal of Cyborg, and complained that his suggested script revisions were not adopted...”

He seems fun and self aware.

The lack of awareness in Snyder movies is what damages them so much. Lex and the jar of piss could be funny, but the angry vibe that "this movie is for adults!!!" just makes it pathetic.

To be fair, there are very few pieces of Superman media that wouldn’t be improved by the world of cardboard speech.

It’s almost like Snyder either doesn’t understand or actively disdains the concept of heroism.

Painfully true. People are that stupid. It took stupid me too long to accept it, so I don’t have any issue with HBO and their disclaimer, although the target audience (i.e., the stupid ones) are the least likely so see it. Well, maybe they should have included some porn.

With all due respect, I think you may be giving the viewer a bit too much credit these days.

There are many things in it that are fundamentally 1974, but also would you even want Blazing Saddles with no Cleavon Little or Gene Wilder?

Every time I see a photo of Cleavon Little, I get sad all over again. He died just too damn soon.

“I would say Snyder understood the aesthetic of Watchmen, but he had no clue about the characters or story.”

And by “hunt” he means “have the hobo drugged to a state of semi-consciousness and tied to a stake while I sit in a luxury box a few hundred feet away and shoot them in between glasses of nasty-ass Trump wine.”

Not for nothing, but the Director’s Cut was also released theatrically (it’s the only version I saw in the theatre).

whatever was imperfect about it, i really just remember it from the perspective of being...what, 14, 15, and going ‘wow this show is really good at making gay people seem normal to me’

i’m still kind of blown away by what korra did and kicking myself for not going back and finally finishing it all at once so i could track the storylines.

Anything that romanticizes the ldealogy of the lost cause is pretty damaging, actually. Placing things in context is very helpful, regarding the new intro. The antebellum south of that film may as well be called “Whitekanda” for how often it inspired the dreams of racists and oppressors.

Jesse Eisenberg’s performance is great as long as you just imagine someone dubbing in “Edward Nygma” every time they say Lex’s name. But it’s not good in the context of being Luthor. I’m not really sure who could pull off the same mix of intelligence and genuine physical threat as the Clancy Brown animated Luthor in a…