I mean when she tried to score progressive points by talking about the FBI raid in terms of the black and brown community was definitely at least as tone deaf as that lol.

For fuck's sake, no American progressive is supporting Hamas.

Where there’s Michael Keaton, there’s hope

Zing!  Well put.

I’m a little bothered that I paid $80 for the base game let alone $100 for a DLC.

I think a lot feel this way. Insane pricing aside - most of D4's cosmetics look like hot garbage and all very similar within a given class.

Yeah. Played a lot of D2 back in the day, never bothered with 3 until I found a new sealed copy for Ps4 a couple years ago. Gave it about 15 hours and then stopped. The always online crap was too oppressive, though I’d skipped all that by waiting so long.

Fast forward to Immortal, and I maybe played 4 hours and just…

What I find funny about most paid cosmetic DLC is that it is not desirable at all. Like I would be embarrassed to wear it. I mean, yes, some of it looks cool and makes your character look like a badass, but at the same time, I feel like if I were to wear something like that it would just make me look like a sucker.…

I’ve gotten to the point where I no longer get even a little excited when I hear they’re making a legacyquel to something I loved as a kid. Burned too many times, and learned my lesson. This doesn’t mean one can’t be worth seeing, but... it’s just not important any more.

Played Immortal on PC and knew what 4 had in store. Didn’t even bother. 

Pretty much. 

This is the only acceptable answer. 

No

My favourite part was when his conductor's baton is ruined because some friends used it as a pool cue.

Now we get to see if the AVClub even cares enough to have some lowly intern read the comments and push through a much-needed correction.

It’s the negative time that make his stint so well-known.

they can barely pay their writers, forget about editors

I voted for ‘The Kodos Dynasty’.

Ain’t that the fucking truth.

Apparently you’re not aware that you were citing production budget only, which ignores marketing, which is usually an additional 50-100% of a film’s cost