I've always found Moore's argument to be consistent and well grounded - that his narratives were designed to work solely in the comic medium, that their voice, structure, pacing, and characterizations all depended on the architecture of sequenced panels, and that they would never function ably as a film or any other…

Granted she knows where she is right now[.

SO poorly worded Chris Brown comparisons in….
(as reprehensible as CB is, you probably could argue a point with the comparison)

Ween's "A Tear For Eddie", which is one, long, brown guitar solo, not through an amp, through shitty solid state fx. It's beautiful and pure.

Man, TV sure used to suck back then, huh?

This review seems more than a little tainted by the film's history. I showed a bootleg of it to some friends this time last year, and we were all really impressed by how intelligent the film was without resorting to the meta-orgy that was cabin in the woods.

Did someone just write a 33+ paragraph article on Blink 182?

Did someone just write a 33+ paragraph article about Blink 182?